All Regulars articles – Page 24
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Premium ❘ Feature'Where’s your reindeer?’ - From the archive: January 1904
The Yorkshire poet Walter Hampson narrates a tale that, according to him, took place on Christmas Eve 1890
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Premium ❘ ArticleAnalysis January 2024: A case for small-group teaching
Julian Lloyd Webber’s recent comments about one-to-one tuition in conservatoires has ignited a debate: should small-group teaching be more widely offered as an alternative?
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Premium ❘ FocusPostcard from Dorset: Purbeck International Chamber Music Festival
Cellist Natalie Clein’s Purbeck International Chamber Music Festival features star players and thought-provoking themes. Charlotte Gardner enjoys the music – and an unseasonal heatwave – in the Dorset countryside
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Premium ❘ Article‘Both horse riding and cello playing need good rhythm’ - Letters to the editor: January 2024
A selection of letters The Strad receives each month from its readers around the world: January 2024 issue
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Premium ❘ ArticleProducts January 2024: Schilbach UV LED torch
A torch built to be compact and long-lasting
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Premium ❘ ArticleProducts January 2024: Larsen Il Cannone Gold violin strings
A new violin string set features the first ever gold D string
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Premium ❘ ArticleProducts January 2024: BAM L’Étoile Hightech Slim cello case
The case company releases new colours in an established range
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Premium ❘ NewsCompetitions, Awards and Appointments: January 2024
The latest competition results, appointments and forthcoming contests
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Premium ❘ FocusSentimental Work: Ilya Gringolts on Dvořák’s Romance in F minor
The Romance in F minor for violin and orchestra was the first piece by Dvořák that the Russian-born violinist ever played – and a passport into the composer’s unique harmonic sound world
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Premium ❘ Feature‘Half-hearted work is no use’ - From the archive: December 1893
Violin professor John Tiplady Carrodus (1836–95) exhorts students to show the same commitment to their craft that he did when he was a boy
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Premium ❘ FeatureMasterclass: Erik Schumann on the Haydn ‘Sunrise’ Quartet, first movement
Erik Schumann, first violinist of the Schumann Quartet, looks at how a good structural understanding of the work’s first movement can lead to a more profound interpretation
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Premium ❘ FeatureMy Space: Gianmaria Stelzer’s Zurich workshop
Take a peek into this workshop located in the Swiss city’s cultural quarter
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Premium ❘ NewsPremiere of the month: Ailbhe McDonagh on her new string quartet
Irish folklore comes to life in a new quartet, which will be premiere on 6 December
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Premium ❘ Focus‘No one needs a second Heifetz, we need you’ - Philippe Quint’s life lessons
The Russian-born US violinist on his complex musical upbringing and the power of self-reflection
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Premium ❘ FeatureMaking Matters: Using local materials for violin making
Dutch luthier Geerten Verberkmoes details the process of making a violin using local materials from his home town of Bergen op Zoom, between October 2022 and May 2023
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Premium ❘ FocusOpinion: How improvisation can help with perfectionism
Having discovered a love of improvisation during the pandemic, cellist Simone Seales believes that the practice can free classically trained musicians from a typically unhealthy fear of imperfection
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Premium ❘ FeatureIn Focus: A 1909 violin by James W. Briggs
David Rattray looks at this early twentieth-century violin by the British maker
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Premium ❘ FeatureMasterclass: Dvořák Cello Concerto first movement
Cellist Hannah Roberts looks to subtlety and nuance in the quest to communicate this titan of the repertoire with mastery
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Premium ❘ FeatureTechnique: Comfortable double bass playing
Finding effortless ways to play with bassist Yung-Chiao Wei
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Premium ❘ FocusPostcard from Switzerland: Verbier Festival
Charlotte Gardner headed to the Swiss Alps for the Verbier Festival’s 30th-anniversary season where she was doubly dazzled by the combination of star players and the quality of the music-making
