Recording reviews – Page 11
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ReviewConcert review: Kuss Quartet
Tim Homfray hears the performance of Mozart, Francisco Coll and Bartók at London’s Wigmore Hall on 13 February 2025
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ReviewConcert review: Juilliard Quartet
Peter Quantrill visits London’s Wigmore Hall for the performances of Schubert, Beethoven and Widmann on 18 and 19 January 2025
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ReviewConcert review: Vilde Frang (violin) Lawrence Power (viola) Valery Sokolov (violin)
Tim Homfray visits London’s Wigmore Hall for the recital of Ysaÿe, Bach, Brustad and Kodály on 20 February 2025
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ReviewConcert review: Nemanja Radulović (violin) Strings of the Philharmonia Orchestra
Janet Banks visits London’s Queen Elizabeth Hall on 28 February 2025 for the performance of Bach, Falla, Muréna and the soloist’s own composition
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ReviewLiza Ferschtman: Brahms, Suk
Familiar and unfamiliar combine in powerfully emotional performances
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ReviewLawrence Power, Alban Gerhardt: Brett Dean
A milestone set of live recordings does justice to a leading Australian
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ReviewVogler Quartet, Frithjof-Martin Grabner: Dvořák
Powerful advocacy makes this emerging cycle a vital listen
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ReviewGaspard Trio: Haydn, Beamish
A fourth volume confirms the mastery of the music and the musicians
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ReviewBook review: Songs My Mother Never Taught Me
Nathaniel Vallois reviews violinist Nigel Kennedy’s first book of compositions
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ReviewBook review: Bach Cello Suites BWV1007–1012
Jeffrey Solow reviews a new edition of the legendary suites edited by cellist Jonas Seeberg
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ReviewDanel Quartet: Prokofiev
A quartet renowned for Shostakovich turns its attention to his compatriot
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ReviewThéotime Langlois de Swarte: Vivaldi, Gentili, Lambranzi
A young adventurer gives Vivaldi’s most famous work a refresh
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ReviewAlfred Dubois: Eck, Handel, Kreisler, Vieuxtemps, Ysaÿe
A wide-ranging reissue does justice to an important Ysaÿe pupil
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ReviewOscar Bohórquez: Unexpected America
Plenty to engage in an album by turns challenging and entertaining
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ReviewThe Strad Recommends: Renaud Capuçon: Barber, Sibelius
Master musician combines passion and experience in two contrasting concertos
