All playing articles
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Focus8 ways to improve Baroque performance
Tips from The Strad’s archive on the use of vibrato, bow strokes and rhythmic hierarchy
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6 ways to improve your staccato
Tips from The Strad’s 125-year archive on achieving crisp and clean articulation
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Article
How a forgotten chamber masterpiece finally saw the light
A powerfully expressive chamber work by one of the most important British composers of the interwar years failed to make it into print – but why? As Rebecca Clarke’s 1923 Rhapsody for cello and piano is published for the first time, John York, who recorded the piece with cellist Raphael ...
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From the Archive: December 1909
The pseudonymous ‘L.H.W.’ gives his thoughts on teaching, in an article he might himself call ‘profuse and extravagant in expression’
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Performing entirely by reflex, by cellist Leonid Gorokhov
The Russian musician and Hochschule für Musik und Theater, Hannover professor describes how he trains himself to transcend the physical restraints of playing
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How to play with a flexible bowing arm by cellist Gary Hoffman
The American musician explains how he developed a supple and varied bow arm motion, guided by his ear and musical instinct
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Singing during practice can help improve sound and characterisation
Cellist Laurence Lesser suggests that learning to listen to your voice constructively isn't easy, but it helps to set musical feeling directly into motion
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Harnessing breathing to improve your string playing
Breathing naturally is one of the first principles of Alexander teaching - and it's a must for anyone who suffers from stage fright, says Joseph Sanders
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5 views on teaching and performance from William Pleeth
The late British cellist and teacher of Jacqueline du Pré spoke to The Strad in June 1996 at the age of 80
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The 4 stages of memorising music for performance
With the right concepts and skills, any musician can successfully learn music by heart, as Gerald Klickstein explains
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Can bowing-wrist suppleness improve intonation?
John Krakenberger has made a number of interesting connections between good tuning and loosening the bowing wrist in his teaching
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10 tips for performing from memory
Guidance from The Strad’s archive from how to incorporate memorisation into your practice, what the benefits might be – and when not to bother
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10 views on dynamics for bowed strings
Advice on how to produce effective dynamic contrasts from 120 years of The Strad
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7 warming up and cooling down exercises for musicians
Suggested warm-ups prior to playing and cool-down stretches following performance and/or practice
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6 ways to improve shifting for string players
Advice on how to shift smoothly and cleanly from 120 years of The Strad
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10 tips on maximising tone quality & projection
Advice on projecting your sound from over 120 years of The Strad
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6 tips for smooth bow changes
Advice on smooth and inaudible bow changes at the tip and the heel from The Strad's archives
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There is no such thing as a piano 'accompanist'
String players and pianists are uniting to end the perception of piano accompanists as lesser musicians. Elana Estrin delves into the emerging field of collaborative piano
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6 tips for improved coordination
Guidance from The Strad’s archive for greater synchronisation between left-hand fingers and bow
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5 views on playing the perfect harmonic
Learning how to do harmonics properly is invaluable to a player’s left hand, bow arm and intonation – as the following tips from The Strad's archive demonstrate.
