Augustin Hadelich discusses Auer’s amendments, the cadenza and applause, in the second of a two-part article about the first movement
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This article appeared in the January 2017 issue of The Strad
This is one of the most exhausting concertos in the violin repertoire. It is emotionally intense throughout – even in the soft passages – and the technical challenges are immense, so it is physically demanding as well.
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