Masterclass: Baiba Skride on the Berg Violin Concerto, first movement

Baiba skride by marco borggreve030

The Latvian violinist discusses the importance of thorough planning, together with emotional engagement, when playing this awkward work

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For me, this has been the most polarising of all concertos. The first time I heard it was in a music class at school and I hated it. I thought, ‘What is this? I don’t understand it! How can it be one of the greatest concertos?’ At that time I was not a fan of modern music in general: I couldn’t hear the melodies or the exceptional harmonies, and as a teenager I wasn’t open to finding them.

I regret that now, because later on, out of curiosity, I started to practise the Berg and I fell completely in love with it. It took me a little time to understand how the violin fits with the orchestra, and the genius of the amazing themes and polyphonies, but when I did, it completely turned my ideas around. Now I am fascinated by how much information there is in the music, every time I play it…

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