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Masterclass: Baiba Skride on the Berg Violin Concerto, first movement
The Latvian violinist discusses the importance of thorough planning, together with emotional engagement, when playing this awkward work
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For me, this has been the most polarising of all concertos. The first time I heard it was in a music class at school and I hated it. I thought, ‘What is this? I don’t understand it! How can it be one of the greatest concertos?’ At that time I was not a fan of modern music in general: I couldn’t hear the melodies or the exceptional harmonies, and as a teenager I wasn’t open to finding them.
I regret that now, because later on, out of curiosity, I started to practise the Berg and I fell completely in love with it. It took me a little time to understand how the violin fits with the orchestra, and the genius of the amazing themes and polyphonies, but when I did, it completely turned my ideas around. Now I am fascinated by how much information there is in the music, every time I play it…
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