Masterclass: Ginastera’s Variaciones concertantes double bass solo

Orin

Orin O’Brien gives practical advice to help capture the magic and mystery of this most musically satisfying of bass solos

Ginastera’s beautiful and skilfully orchestrated Variaciones concertantes had its world premiere in Buenos Aires in 1953. It consists of eleven movements, each featuring a different solo instrument, or choirs of instruments, followed by a lively rondo as a coda. The first movement sets forth the theme of the variations, stated by a solo cello, accompanied by one harp. It leads into variations respectively for strings, flute, clarinet, viola, oboe and bassoon, trumpet and trombone, violin, horn, woodwind, and finally a reprisal of the theme, this time for double bass…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.