All Intonation articles
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ArticleA 30-minute daily practice routine for violinists and violists
How to keep your playing in shape while maintaining a busy schedule, by Misha Galaganov, professor of viola and chamber music at Texas Christian University, TX, US
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Technique: A 30-minute routine to keep your playing on top form
Ideas to help violinists and violists maintain high technical and musical standards around a busy regime
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Video
TwoSetViolin: The Twelve Levels of Violin Playing
The musical double act abandon their usual hijinx in favour of something more serious for newbie violinists: a whistle-stop tour of what their violin-playing career could look like (with a bit of practice).
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Focus
10 playing tips by violist Lionel Tertis
The famous English viola player and Royal Academy of Music professor gave performing tips to student Sydney Errington in the 1930s
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Feature
How harmonics and singing can help to build a sound technique
Violin and viola pedagogue Jane Metcalfe discusses using techniques inspired by Kodály and Colourstrings methods
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Ask the Experts: how to encourage students to trust their ears
A reader asks what can be done to help young students who rely on learning finger placement rather than trusting their ears. Three teachers give their views
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Perfect 5ths
British violinist Rodney Friend has spent many years formulating his method for achieving a relaxed left-hand position. Here, he shares his voyage of discovery with Charlotte Smith
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From the Archive: the difficulties of playing in tune
The Strad writer E. Polonaski bemoans the number of string players with suspect intonation in our March 1893 issue
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None of my teachers were any good at explaining technique - Ruggiero Ricci
Celebrating his 90th birthday in July 2008, the legendary violinist looked back at his teaching influences and revealed that he was largely self-taught
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Technique: the importance of practising in 5ths
How the ability to play in perfect 5ths can help you to hone your position, intonation and vibrato
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Focus
Can bowing-wrist suppleness improve intonation?
John Krakenberger has made a number of interesting connections between good tuning and loosening the bowing wrist in his teaching
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Debate
Young students must learn to listen if they are to practise effectively
String students who struggle in the early stages of learning often don't know how to listen. Patiently help them to train their ears, says Peter Quantrill, and practice sessions will become ever more fulfilling
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Blogs
Rachel Barton Pine: 10 tips for practice and performance
The Strad attended a masterclass with the American violinist in 2015 and took down these practical pointers
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Review
Book review: The Violin in 5ths: Developing Intonation and Sound
Anne Inglis reviews Rodney Friend’s inspiring volume
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Blogs
Yuri Zhislin on the 6 pillars of violin playing
The violinist and violist boils down a career’s worth of experience as soloist, chamber musician and teacher
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Focus
8 ways to improve your intonation
Tips and tricks for playing in tune – or giving the impression of playing in tune
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8 views on intonation
Tips on playing in tune – or giving the impression of it – from 100 years of The Strad
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Cellist Pablo Casals on expressive intonation
The great artist believed that 50 per cent of a player's total dramatic power lay in exaggerated intonation, writes former pupil Pamela Hind O'Malley
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Focus
Ask the Experts: regaining your technique after time away from the violin
Strad readers submit their problems and queries about string playing, teaching or making to our experts
