Making Matters: Stability of top and back plates

4a

Christian Bayon reveals the results of several years’ experimentation with improving the stability of a violin’s top and back plates without compromising the sound quality

I have been making violins for 48 years, and was a restorer for 29 of them. I began restoring instruments in 1976 at Etienne Vatelot’s shop in Paris before setting up my own atelier in 1984 in Brittany, and then in Lisbon five years later. During these years I gained some experience in deformations to the violin body. The fall of the Berlin Wall brought a huge wave of migration into Western Europe…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.