![#33b parents ]enhanced Toronto 1950](https://dnan0fzjxntrj.cloudfront.net/Pictures/274x183/9/8/0/28980_33bparentsenhancedtoronto1950_63454.jpg)
Technique – Page 5
-
VideoPhiladelphia concertmaster David Kim on ‘super slow’ practice, muscle memory and concerto prep
Explore more Featured Stories like this in The Strad Playing Hub In this film for J.W. Pepper, Philhadelphia Orchestra concertmaster David Kim talks about how he organises his practice, and how he prepares for important concerts. Created by J.W. Pepper & Son, Inc. Produced by Rocco Richardson, Celena McAfee ...
-
Focus
Ask the Experts: how to eliminate tension in the bow arm and hand
Three teachers give their thoughts on eliminating right hand, arm and shoulder tension in a young student
-
Focus
Joshua Bell: Don't impose bowings and fingerings on your students
There is no ‘one size fits all’, argues the American violinist. It is important to discuss why students chose their fingerings and why there may be better alternatives
-
Video
Violin techniques with James Ehnes: straight bow
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
-
Video
Violin techniques with James Ehnes: ricochet
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
-
Video
Violin techniques with James Ehnes: spiccato
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
-
Video
Violin techniques with James Ehnes: col legno
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
-
Video
Violin techniques with James Ehnes: sul ponticello and sul tasto
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
-
Video
Violin techniques with James Ehnes: double stops & chords
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
-
Focus
Technique: Minna Rose Chung on double stopping and Tartini tones
Using ‘difference tones’ to perfect your intonation when tackling double stopping passagework
-
Debate
With vibrato the question isn't just about more or less, but also about variety of sound
It is a wonderfully expressive tool when used sensitively, but soloists especially should take greater advantage of the various vibrato possibilities, writes violist Hartmut Rohde
-
Focus
Technique: Two-octave scales and arpeggios
An essential way to improve tone and intonation by Michael Frischenschlager, professor emeritus of violin at the University of Music and Performing Arts, Vienna
-
Focus
Technique: Viola vibrato, and how flexible joints and a keen ear can enhance your expressive range
Roger Tapping, violist of the Juilliard Quartet, on the faculty of the Juilliard School, and formerly New England Conservatory, gives a lesson on improving vibrato, particularly for violists
-
Focus
Klezmer violin technique masterclass with Sophie Solomon
The violin is a vital ingredient of the klezmer sound. In this Masterclass from January 2007, Sophie Solomon, founding member of klezmer fusion band Oi Va Voi and artistic director of London’s Jewish Music Institute, explains that embodying a vocal quality in the instrument is the key to performing this ...
-
Focus
Double stopping on the cello: How to play passages of 3rds and 6ths with more fluidity
Technique advice, exercises and repertoire examples from Lionel Handy, cello professor at the Royal Academy of Music in London, Birmingham Conservatoire and Winchester College, UK
-
Focus
Contact points: controlling your sound through the position of your bow on the string
New England Conservatory and Juilliard School cello faculty member Natasha Brofsky introduces a set of exercises for exploring the tone, colour and expressive potential of a well-controlled bow, plus three videos showing the techniques in action
-
Focus
Collé: Kurt Sassmannshaus on mastering a crucial bow technique
Kurt Sassmannshaus, chair of classical violin at the Cincinnati College-Conservatory of Music, director of the Great Wall Music Academy, Beijing, and founder of violinmasterclass.com, discusses the bow stroke that forms the beginning of any effective martelé
-
Focus
What is the best scale system for string students?
The Strad's panel of teaching experts answer reader questions as part of the magazine's Teacher talk series
-
Article
Violinist Rachel Podger on matching technique and musicality
Often you find that technique and musicality marry quite well. Something that works musically will so often also work from a technical perspective. And the opposite is also true - that if you change a passage for technical reasons it suddenly makes more musical sense too!' Baroque ...
-
Article
Vibrato in slow motion - on violin and cello
As part of a series of studies on vibrato pitch centre (2004, 2005, 2014), researchers Rebecca MacLeod of the University of North Carolina and John Geringer of Florida State University asked 60 university string players and a former concertmaster of the New York Philharmonic to perform a ...
