Technique – Page 5
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Focus
10 views on the benefits of slow practice
Debate on how best to harness slow practice from The Strad Archive
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Premium ❘ Feature
8 views on intonation
Tips on playing in tune – or giving the impression of it – from 100 years of The Strad
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Focus
10 ways to avoid tension in your playing
Advice on how to be flexible and relaxed as a string player from 120 years of The Strad
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Video
Philadelphia concertmaster David Kim on ‘super slow’ practice, muscle memory and concerto prep
Explore more Featured Stories like this in The Strad Playing Hub In this film for J.W. Pepper, Philhadelphia Orchestra concertmaster David Kim talks about how he organises his practice, and how he prepares for important concerts. Created by J.W. Pepper & Son, Inc. Produced by Rocco Richardson, Celena McAfee ...
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Ask the Experts: how to eliminate tension in the bow arm and hand
Three teachers give their thoughts on eliminating right hand, arm and shoulder tension in a young student
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Joshua Bell: Don't impose bowings and fingerings on your students
There is no ‘one size fits all’, argues the American violinist. It is important to discuss why students chose their fingerings and why there may be better alternatives
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Video
Violin techniques with James Ehnes: straight bow
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
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Violin techniques with James Ehnes: ricochet
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
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Violin techniques with James Ehnes: spiccato
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
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Violin techniques with James Ehnes: col legno
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
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Violin techniques with James Ehnes: sul ponticello and sul tasto
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
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Violin techniques with James Ehnes: double stops & chords
This set of short videos with Canadian violinist James Ehnes were published by CBC Music in 2016. They feature him discussing and demonstrating particular playing techniques. See ‘Related Video’ for the rest in the series
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Focus
Technique: Minna Rose Chung on double stopping and Tartini tones
Using ‘difference tones’ to perfect your intonation when tackling double stopping passagework
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Debate
With vibrato the question isn't just about more or less, but also about variety of sound
It is a wonderfully expressive tool when used sensitively, but soloists especially should take greater advantage of the various vibrato possibilities, writes violist Hartmut Rohde
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Technique: Two-octave scales and arpeggios
An essential way to improve tone and intonation by Michael Frischenschlager, professor emeritus of violin at the University of Music and Performing Arts, Vienna
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Technique: Viola vibrato, and how flexible joints and a keen ear can enhance your expressive range
Roger Tapping, violist of the Juilliard Quartet, on the faculty of the Juilliard School, and formerly New England Conservatory, gives a lesson on improving vibrato, particularly for violists
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Klezmer violin technique masterclass with Sophie Solomon
The violin is a vital ingredient of the klezmer sound. In this Masterclass from January 2007, Sophie Solomon, founding member of klezmer fusion band Oi Va Voi and artistic director of London’s Jewish Music Institute, explains that embodying a vocal quality in the instrument is the key to performing this ...
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Double stopping on the cello: How to play passages of 3rds and 6ths with more fluidity
Technique advice, exercises and repertoire examples from Lionel Handy, cello professor at the Royal Academy of Music in London, Birmingham Conservatoire and Winchester College, UK
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Contact points: controlling your sound through the position of your bow on the string
New England Conservatory and Juilliard School cello faculty member Natasha Brofsky introduces a set of exercises for exploring the tone, colour and expressive potential of a well-controlled bow, plus three videos showing the techniques in action
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Collé: Kurt Sassmannshaus on mastering a crucial bow technique
Kurt Sassmannshaus, chair of classical violin at the Cincinnati College-Conservatory of Music, director of the Great Wall Music Academy, Beijing, and founder of violinmasterclass.com, discusses the bow stroke that forms the beginning of any effective martelé