Playing – Page 33
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Premium ❘ FeatureFrom the Archive: November 1929
Marie Hall, seen here with her 1709 Stradivari, speaks exclusively to The Strad following a successful tour of South Africa
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Premium ❘ FeatureAsk the Experts: choosing a new violin tailpiece
A violinist asks what he should consider when choosing a new tailpiece – from the material used to the weight and shape
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Premium ❘ FeatureTurning Over a New Leaf
Since her professional debut almost 30 years ago, Sarah Chang has maintained a glittering solo performing and recording career. But, as she tells Charlotte Smith, her more recent desire to take on ‘passion projects’ has led to fulfilling chamber and contemporary collaborations
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Premium ❘ FeatureBright Young Things
The New York String Orchestra Seminar, one of America’s first orchestral training programmes for young musicians, celebrated its 50th anniversary in December 2018. Bruce Hodges attended rehearsals and concerts of the landmark season, and looks ahead to the ensemble’s December 2019 edition
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Premium ❘ FeatureDefining a Nation
For many classical enthusiasts Brazilian music can be summed up in the folk-inspired compositions of Villa-Lobos. Naxos’s multivolume series The Music of Brazil is set to broaden awareness, beginning with several 19th- and 20th-century composers whose string and orchestral works at once mirrored and defied their country’s colonial history, writes ...
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Premium ❘ FeatureFrederick Riddle: modest master of the viola
The great British viola player was undeservedly overshadowed by Lionel Tertis and William Primrose, writes Tully Potter
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Premium ❘ FeaturePerfect 5ths
British violinist Rodney Friend has spent many years formulating his method for achieving a relaxed left-hand position. Here, he shares his voyage of discovery with Charlotte Smith
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Premium ❘ FeatureMasterclass: Daniel Müller-Schott on Franck Violin Sonata (Cello Version)
The German cellist looks at the importance of connection, colour and line in the work’s third movement
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Premium ❘ FeatureFrom the Archive: October 1939
The Strad responds to the declaration of war on 3 September with advice on how cellists can do their bit by programming feel-good standards for troops and civilians
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Premium ❘ FeatureA teacher for all
Kató Havas, the celebrated and much-loved Hungarian violinist and pedagogue, died on 31 December 2018 aged 98. Five former colleagues and students remember her important and generous influence on their own playing and teaching
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Premium ❘ Feature7 things to remember when buying a bow
Bows, for so long seen as mere accessories, are increasingly attracting serious investors, writes Femke Colborne
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Premium ❘ FeatureDouble bassist Peter Buckoke on treating head and neck pain
The Royal College of Music professor found a solution in Alexander technique
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Premium ❘ DebateEarly vibrato was one aspect of a vastly different sound world
A response to Beverly Jerold’s article 'Did early string players use continuous vibrato?' by Kevin Class
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Premium ❘ FeatureLondon Symphony Orchestra violinist Lennox Mackenzie on treating a shoulder injury
A delay in getting an accurate diagnosis only exacerbated the violinist’s shoulder problem
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Premium ❘ FeatureA Human Heart
To mark the centenary of the completion and premiere of Elgar’s Cello Concerto, cellist Raphael Wallfisch reflects upon the period and circumstances surrounding the work’s creation and subsequent life
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Premium ❘ FeatureThe Fab Four
At this year’s Suntory Hall Chamber Music Garden festival in Tokyo the Kuss Quartet performed a complete Beethoven cycle on the ‘Paganini’ quartet of Stradivaris, on loan from the Nippon Music Foundation. Gavin Dixon spoke to the players about this very special project – and learnt a little more about ...
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Premium ❘ FeatureRaphael Wallfisch on finding the right cello position
The British artist tells Laurinel Owen why he plays with a long endpin and its effect on technique and sound production
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Premium ❘ FeatureTaste the Difference
Burgundy’s Musique & Vin festival has quickly grown from its humble origins to encompass a rich diversity of elements, not least first-rate performances from international artists and an instrument loan scheme for young musicians. Charlotte Gardner spoke to those involved in this unique project
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Premium ❘ FeatureThe 4 stages of memorising music for performance
With the right concepts and skills, any musician can successfully learn music by heart, as Gerald Klickstein explains
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Premium ❘ FeatureThe Russian violin school is largely misunderstood
Igor Bezrodnyi, violinist, teacher and conductor, interviewed for The Strad shortly before his death in 1998
