12 Ensemble: In the driving seat

12E_3

Formed in 2012, conductorless London-based string group the 12 Ensemble has taken an unconventional path to making a name for itself, as artistic directors Eloisa-Fleur Thom and Max Ruisi tell Toby Deller

‘Our first few concerts were kind of fun and we didn’t necessarily plan into the future too much,’ remembers Eloisa-Fleur Thom, co-artistic director and principal violin of London-based string chamber orchestra the 12 Ensemble. ‘But I think it was always a dream of ours to be able to develop a group where we have artistic control and are able to shape the way we present our idea of classical music to our audiences.’

Without the infrastructure of masterclasses, competitions and subsequent concert opportunities that can help sustain quartets and trios in the early stages of their careers, that development has meant nearly a decade of self-promoted concerts and recordings. As well as making guest appearances at festivals and in concert series, the 12 Ensemble has collaborated with a growing number of artists from different genres live and on disc (including the 2019 album Sound of Silence by classical guitarist Miloš Karadaglić and the recently released Carnage by Australian rock elders Nick Cave and Warren Ellis)…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.