All masterclass articles – Page 3
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ArticleMaxim Vengerov on playing the violin like Mozart
Violinist Maxim Vengerov gives a masterclass on Mozart’s Third Violin Concerto at the Royal Academy of Music, London - including a humorous impression of Mozart's violin playing.The full 48-minute video is available to buy as a download or DVD through the Masterclass Media Foundation.Watch Vengerov give a showstopping ...
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ArticleViolinist Maxim Vengerov on blending your sound with other instruments
You have to forget sometimes that you play the violin. Use it to express the sound of the music and to integrate with the orchestra'Violinist Maxim Vengerov gives a masterclass on Britten’s Violin Concerto at the Royal Academy of Music, London. The full 50-minute video is available to ...
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ArticleViolist Yuri Bashmet on rubato
Rubato can only be effective if you work within the structure of a clear beat' Violist Yuri Bashmet describes how best to use rubato as part of a masterclass on Shostakovich's Sonata for Viola and Piano, recorded at the Verbier Festival Academy. The full 123-minute video is ...
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ArticleMaxim Vengerov on Mendelssohn's Violin Concerto
One note of wider vibrato can ruin the purity of the whole line...'Violinist Maxim Vengerov gives a masterclass on Mendelssohn's Violin Concerto at the Royal Academy of Music, London. Playing the solo part is Aya Sanada. The full 48-minute video is available to buy as a download or ...
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ArticleViolinist Zakhar Bron gives Beethoven masterclass
Most important is that you play with strong expressive character'Violin professor Zakhar Bron gives a masterclass on Beethoven's Romance op.50 in F major. Read more about Bron's teaching philosophies in The Strad's January 2015 issue, out now.Subscribe to The Strad or download our digital edition as part of ...
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ArticleViolinist Zakhar Bron gives masterclass on Bach's Partita no.2
We can play it faster or slower, but most important is to keep the dance-like feel in any speed'Respected tutor Zakhar Bron gives a violin masterclass on Bach's Partita no.2 at the Verbier Festival Academy. The full 104-minute video is available to buy as a download or DVD ...
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ArticleViolinist Zakhar Bron gives Bach masterclass
The playing should never be cramped or colourless. The tutti sections shouldn't be colourless either, but the solo sections must prove † in competition with the ensemble † their sense of individuality'Respected teacher Zakhar Bron gives a masterclass on Bach's Violin Concerto in A minor, BWV1041.Bron is interviewed ...
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ArticleSydney Symphony viola masterclass † Brahms Symphony no.4
We are looking for strengths in three key areas † intonation, sound production and the use of appropriate bowing strokes. But on a deeper level we are looking at your understanding of the music's sound world'Roger Benedict, principal viola of the Sydney Symphony Orchestra, gives an orchestral audition ...
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ArticleSydney Symphony cello masterclass † Beethoven Symphony no.5
Imagine instead of playing a closed vowel - like 'ee' - playing an open vowel like 'ah'. We don't want to have the feeling in an orchestra that someone is playing an electric guitar'Umberto Clerici, principal cello of the Sydney Symphony Orchestra, gives an orchestral audition masterclass on ...
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ArticleSydney Symphony double bass masterclass † Beethoven Symphony no.9
In an audition situation, we're usually a little bit nervous, so we lose some of the energy in our playing. We therefore really have to think technically about how we can maximise our dynamic range'Kees Boersma, principal double bass of the Sydney Symphony Orchestra, gives an orchestral audition ...
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ArticleSydney Symphony masterclass † Rachmaninov Symphonic Dances
I would like to look at the impact that vibrato, which is the domain of our left hand, has on our right hand, and how the two are connected via our brain.'Sydney Symphony Orchestra concertmaster Andrew Haveron gives a masterclass on an audition excerpt from the first violin ...
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ArticleJosef Gingold gives Brahms Violin Sonata no.1 masterclass
Influential violin professor Josef Gingold, himself a student of Eugène Ysaÿe, gives a masterclass on Brahms's Violin Sonata no.1. The performers are violinist Sandra Park and pianist Ja-Eun Koo.Read Joseph Silverstein's memories of studying with Gingold. Subscribe to The Strad or download our digital edition as part of ...
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FocusPractice Diary: The Miró Quartet - part two
In the November issue, second violinist William Fedkenheuer explains how the four players prepare for a recording of Schubert's Quartettsatz. Here he goes into more detail regarding tempo and intonation
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ArticleUK study to assess cultural value of Sistema music education project
Researchers based at the University of East Anglia are to examine the cultural value of projects inspired by Venezuela’s El Sistema music education programme. The study will focus on three projects across England: In Harmony Newcastle Gateshead, Sistema in Norwich and In Harmony Telford & Stoke.‘The value of young people's ...
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ArticleEx-Chetham's teacher Malcolm Layfield arrested
Malcolm Layfield, former head of strings at the Royal Northern College of Music (RNCM), has been arrested on suspicion of three historic rapes. The 61-year-old, who quit his post at the RNCM in February, was detained over alleged offences of rape against three girls, two aged 16 and one aged ...
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ArticleFernando Grillo (1946–2013)
Fernando Grillo, the Italian double bassist, composer and teacher, has died at the age of 67. Closely associated with Italy’s avant-garde movement, he experimented with new forms of sound production and collaborated with composers including Salvatore Sciarrino, Harrison Birtwistle, Iannis Xenakis and Luciano Berio. Karlheinz Stockhausen once dubbed Grillo ‘the ...
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DebateUse intellect, not instinct
Instead of simply focusing on technical prowess, performers should have as profound an understanding of music theory as composers do, argues cellist David Watkin, since it can only serve to develop their skills
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FocusWhat's in the August digital edition
With The Strad’s digital edition, you can jump from the cover or the contents pages straight to the articles you want to read. You can also link directly to pages on thestrad.com or to products in The Strad Library. Not only that, there’s a wealth of additional ...
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ArticleMasterclass: A guide to playing English folk music
In the April 2014 issue of The Strad, folk fiddler Sam Sweeney gives a guide to playing English folk music. Here he plays the traditional tune Blew Bell Hornpipe, displaying some of the ornamentation and techniques he discusses in the article. Buy The Strad's digital magazine now: www.thestrad.com/apps
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