Lutherie – Page 49
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Premium ❘ GalleryFrom the Archive: a Niccolò Amati violin, 1654
This illustration of an Amati violin was published in The Strad, April 1913. The following text is extracted from the article accompanying the photographs
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GalleryGallery: asymmetric instruments
These instruments are featured in The Strad’s September 2019 issue focus on experiments with asymmetry in instrument design
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Premium ❘ GalleryFrom the Archive: a Bergonzi violin
This illustration of a Bergonzi violin was published in The Strad, February 1913. The following text is extracted from the article accompanying the photographs: This is a really typical specimen of the master’s own model, exhibiting his peculiarities in the matter of outline and other details. Bergonzi varied his instruments ...
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Premium ❘ FeatureTrade Secrets: Asymmetric neck shaping
A method that allows for deviation from the standard neck outline, for the comfort of the individual player
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VideoLaurence Lesser talks about his Brothers Amati cello
American cellist Laurence Lesser talks about the history and special characteristics of the Antonio & Girolamo Amati cello which has been his ‘musical mate’ since 1972
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FeatureIn focus: a c.1710 violin by Pieter Rombouts
Hubert De Launay examines an Amsterdam violin with an explosively flamed back and tons of rich, red varnish
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Premium ❘ GalleryFrom the Archive: a Maggini violin
This illustration of a violin by Giovanni Paolo Maggini was published in The Strad, September 1912. The following text is extracted from the article accompanying the photographs: The principal measurements of this violin, as supplied by the owner, are: Length of body, 37 cm; width of upper bouts, 17.1 cm; ...
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Premium ❘ GalleryFrom the Archive: a Lorenzo Storioni violin, 1785
This illustration of a Lorenzo Storioni violin was published in The Strad, August 1912. The following text is extracted from the article accompanying the photographs: The Storioni illustrated is in a fine state of preservation, and well covered with varnish. Nearly all of this maker's instruments encountered today possess tonal ...
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Premium ❘ GalleryFrom the Archive: a violin by Giovanni Tononi, 1699
This illustration of a violin by Giovanni Tononi was published in The Strad, July 1923. The following text is extracted from the article accompanying the photographs: This fine violin is essentially a lady’s instrument in every way, being of the small Amatise type in build. It was made in the ...
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Premium ❘ GalleryFrom the Archive: a violin by G.B. Rogeri, large pattern, 1697
This illustration of a violin by Giovanni Battista Rogeri was published in The Strad, February 1914. The following text is extracted from the article accompanying the photographs: The larger violins of this great maker are exceedingly scarce. This Rogeri’s ordinary fiddles are, relatively speaking, numerous enough, and are about the ...
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Premium ❘ FeatureCan you tell a fake instrument from the genuine article?
With more and more instrument forgeries finding their way on to the market, how do experts, dealers and buyers stay wise to deception? Femke Colborne finds out
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VideoComparing 3 Stradivari cellos
Pablo Ferrández visits the Nippon Music Foundation to compare the 1696 'Lord Aylesford' cello he has on loan with two others by Stradivari, the 1730 'De Munck, Feuermann' and the 1736 'Ladenburg' (part of the 'Paganini' quartet).
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Premium ❘ GalleryFrom the Archive: a violin by Giovanni Grancino, Milan 1714
This illustration of a violin by Giovanni Grancino was published in The Strad, April 1914. The following text is extracted from the article accompanying the photographs: Of the various Grancini, the instruments of Giovanni (1675-1737) are probably best known. Those of his father, sons, and various other relatives are seldomer ...
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Premium ❘ FeatureLife out of balance
While many luthiers are happy making stringed instruments to the standard form, others are keen to explore the possibilities of alternative patterns. Peter Somerford discovers how asymmetric designs can affect tone quality, projection, acoustics and player comfort
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Premium ❘ FeatureAn unexpected twist
The few remaining guitars by Antonio Stradivari have distinctive characteristics – which proved useful when another example came to light recently in a museum collection. Emiliano Marinucci and Lorenzo Frignani tell the story
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Premium ❘ FeatureThe Jewel of Taiwan: The Strad Calendar 2020
The Chimei Museum in Taiwan houses the largest collection of stringed instruments in the world.The Strad Calendar 2020 marks 30 years since its founding, as Dai-Ting Chung and Andrew Guan highlight some of the remarkable treasures within its walls
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Premium ❘ FeatureShould violin makers embrace cutting edge computer analysis?
Violin maker Sam Zygmuntowicz explores how high-tech ways of analysing violins and their sound could help makers and even influence the future forms of instruments
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Premium ❘ FeatureIn focus: a c.1930 violin by Ignacio Fleta
Jordi Pinto examines an instrument by the important Spanish maker
