All Lutherie articles – Page 7
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Premium ❘ FeatureA mystery unveiled: the makers of Ferrara
While scholars have scrutinised the making traditions of various Italian cities, the luthiers of Ferrara have been largely neglected – until now. Florian Leonhard presents the results of recent archival research into Alessandro Mezzadri and the Marconcini family, along with notes on their making styles
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FocusAsk the experts: What should a luthier look for when choosing tonewood?
For a beginner luthier, choosing the perfect spruce and maple for an instrument can be a confusing process. Three experts in wood selection offer some guidelines
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Premium ❘ FeatureTrade Secrets: An alternative rib construction method
Luthier Alan Beavitt shares an option that can guarantee an accurate overhang at the end of the process
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BlogsConnecting musicians and makers: the British Violin Making Association’s 2024 Makers’ Day
Tibor Szemmelveisz reports back from the 27th Makers’ Day in February 2024, which cultivated a meeting of minds between luthiers and players in central London
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BlogsTruly unique: Henrik Frendin on his custom-made electric viola and five-string bass viola
Violist Henrik Frendin shares how his search for the perfect sound palette led him to commission two bespoke instruments by Richard Rolf
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BlogsLike living beings: how instruments damaged by war and disaster found new life thanks to a luthier’s noblesse oblige
Barbara Khristi writes about the deeds of luthier Phillip Injeian, who helped restore instruments damaged in the Bosnian War, as well as the 2010 Haiti earthquake
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FocusA Gagliano and a Strad: the violins of Maria Dueñas
Our May 2024 cover star discusses the tools of her trade with Tom Stewart
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BlogsThe pernambuco wood dilemma: a call for global responsibility and unity
Connecting cultural heritage and environmental sustainability, Daniel Neves discusses a proposal to include pernambuco in Appendix I of CITES, a change that would significantly impact the global trade of this essential wood
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BlogsThe Maccaferri-style violin inspired by Django Reinhardt
Luthier Neil Campbell shares how he crafted a violin in the style of the iconic instrument played by the legendary guitarist
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Premium ❘ FeatureMaking Matters: New angles on old designs
Luthier J. Paul Anderson details an unusual commission from New Zealand, which required an innovative varnish ingredient: pumice
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Premium ❘ Article‘I object to the way the old clichés are put out there!’- Letters to the editor: May 2024
A selection of letters The Strad receives each month from its readers around the world: May 2024 issue
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Premium ❘ FeatureMy Space: Elina Kaljunen’s Helsinki workshop
The maker takes us on a tour of her Finnish workshop
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Premium ❘ FeatureIn Focus: A 1759 violin by Joseph Marquès
Jordi Pinto examines the Spanish maker’s mid-century instrument
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Premium ❘ FeatureMaking Matters: How to identify an expert bow maker
The ability to identify the maker of a bow is a rare talent that requires a keen eye and a wealth of knowledge. Jacques Poullot gives some pointers as to how to acquire such expertise
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Premium ❘ FeatureTrade Secrets: Making a decorative fleur-de-lys
Luthier Evan Davenport illustrates a method to add a striking decoration to the back of a Baroque instrument
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FeatureAsk the Experts: protecting your instrument from chips and nicks
A panel of luthiers give their thoughts on some unusual marks that have appeared on the surface of a violinist's instrument over the course of his playing career
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GalleryThe bows of Richard Otto Gläsel
A selection of bows by the German-born bow maker (1885-1931), whose work exhibits the influence of Claude Thomassin and other French artisans of the era
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Premium ❘ FeatureBow maker Richard Otto Gläsel: Parisian splendour
Having perfected his skills in the French capital, German bow maker Richard Otto Gläsel was much inspired by the work of his Gallic forebears, from Voirin to Vigneron. Gennady Filimonov tells his story and examines several of his finest works
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Premium ❘ FeatureCello bridge design: X marks the spot
For many years the design of the cello bridge has remained constant – but could it be improved? Sebastian Gonzalez presents the results of a comparison between the standard French bridge and a newly designed model, while Gaian Amorim tracks the development of the bridge
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GalleryPhoto gallery: ‘The Painted Violin’ by Roger Hansell
The decorated violin is now in the hands of baroque violinist Lucy Russell
