All Lutherie articles – Page 12
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Focus‘It’s a real partnership’: Rachel Podger on her violin and bow
Our August 2024 cover star discusses the tools of her trade
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Premium ❘ FeatureTrade Secrets: Bow tip replacement – part two
How to shape the new tip after having replaced the ebony and ivory
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BlogsCelebrating Women Luthiers exhibit at Reuning & Son Violins
Take a look at the second instalment of the international exhibit showcasing the work of outstanding women luthiers and musicians, held from 3 to 9 June 2024
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Premium ❘ FeatureRaising the bar: Bass-bar experiments
Joseph Curtin reports on a series of experiments at the 2023 Oberlin Acoustics Workshop, which attempted to ascertain the acoustic effects of altering the height and scoop of the violin’s bass-bar
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Premium ❘ FeatureIn Focus: A 1969 viola by Gio Batta Morassi
Yuri Pochekin examines his own mentor’s viola
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FocusDaniel Rowland on his Storioni violin
One of our featured artists from the July 2024 issue discusses his bow and instruments, both past and present
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NewsAlleged Stradivari violin seized at Ukrainian border
The instrument, containing a label dated 1713, was found in a car travelling to Romania
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News‘Barjansky’ Stradivarius cello tokenised by digital asset firm
The c.1690 instrument, formerly owned and played by Julian Lloyd Webber, is one of very few Stradivari cellos in existence
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Premium ❘ FeatureTrade Secrets: Bow tip replacement – part one
Jenelle Steele explains a detailed method to remove an old tip and fit a new one, before shaping
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Premium ❘ FeatureMaking Matters: applying the ground coat to a violin
Making and applying the ground coat is a crucial stage of the varnishing process. James Ropp reveals his own method for a preparation containing no oil
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Premium ❘ FeatureMy Space: Daniela Gaidano’s Meltina workshop
The Italian luthier presents her forest-surrounded shop
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Premium ❘ FeatureA closer look: Examining the ‘Salabue, Martzy’ violin
The Strad’s lutherie consultant Philip Ihle put together this month’s poster of the ‘Salabue, Martzy’. Here he points out several extra details to help luthiers make an exact copy of the instrument
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Premium ❘ FeatureResplendent harmony: Carlo Bergonzi ‘Salabue, Martzy’ violin 1733
The 1733 ‘Salabue, Martzy’ is one of the finest instruments by Carlo Bergonzi in existence. Jason Price examines the violin and looks at its travels over the past 300 years
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Premium ❘ FeatureTrade Secrets: A workshop facility to measure violin family acoustics
Creating an apparatus for routine quick and easy measurements while making and setting up the violin and related instruments
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Premium ❘ FeatureBridging the decades: Bridges from the archive
Instrument bridges have become pretty much standardised in the modern era, but in days of yore they came under as much scrutiny as strings, mutes and chin rests. These advertisements taken from the first half of The Strad ’s history testify to their designers’ ingenuity
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Premium ❘ FeatureIn Focus: A 1927 violin by Evasio Emilio Guerra
Andrea Schudtz examines the Turin maker’s early 20th-century instrument
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Premium ❘ FeatureMaking Matters: Bridge position of the pochette instrument
One of the most unusual stringed instruments, the pochette can be found on show in many museum collections – but is it being displayed properly? Wim Raymaekers argues that the bridge position needs to be rethought
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Premium ❘ Feature‘He was taking a very large elephant to America’ - From the archive: June 1904
Violinist Archie Easton presents some ‘reminiscences of John Frederick Lott’ (1804–70), including his brief spell as an elephant trainer for a circus
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Premium ❘ ArticleAuction Report June 2024: Like father, like son
An Omobono Stradivari and two Vuillaumes were the standout lots during a varied spring auction season in London, as Kevin MacDonald reports
