All Lutherie articles – Page 3
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Premium ❘ FeatureLutherie in Berlin: Berlin calling
While some European capitals have a well-documented history of violin making, Berlin has passed under the radar. Daniel Kogge looks at some of the German capital’s most prominent makers from the 18th century onwards
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Premium ❘ FeatureIn Focus: A 1705 violin by Giovanni Battista Rogeri
Julian Hersh examines an instrument made only a few years before the Brescian maker’s death
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FocusWhat viola does Tabea Zimmermann play?
The Strad’s September 2025 cover artist shares details about her instrument and bow
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FocusMaking Matters: The consequences of a pernambuco ban
With a worldwide ban on the pernambuco trade again becoming a real possibility, Christian Lloyd looks at the potential consequences for musicians, makers, dealers and anyone who loves instrument bows
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Premium ❘ FocusPostcard from Prague: Metelka Violin Making Competition
John Dilworth was a very hands-on judge at the 2025 Metelka Violin Making Competition, where he was gratified to find the art of lutherie in a healthy state
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Premium ❘ FeatureMy Space: Zoltán Délczeg’s Budapest workshop
The luthier presents his shop in the Hungarian capital
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Premium ❘ FeatureBridge acoustics: the invisible bridge
Is it possible to simulate the effects of bridge adjustment in a computer? Physicist Jim Woodhouse presents the results of a series of experiments to demonstrate the possibilities
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Premium ❘ FeatureMaking Matters: Carving each violin part with a CNC machine
Stuart Ross and Paul Boardman explore the possibilities of using a CNC machine to carve each part of a violin, discovering how some stages benefit while others still need a luthier’s hand
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Premium ❘ FeatureTrade Secrets: Creating neck graft sockets – part two
The second of two articles shows the completion of this intricate and sometimes tricky process
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Premium ❘ FeatureTeaching lutherie in Latin America: sowing the seeds for success
Peter Somerford explores how an instrument repair initiative, set up by the Latin American youth orchestra venture Iberorquestas and violin maker Lionnel Genovart, has grown to create a new generation of luthiers
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Premium ❘ ArticleAnalysis August 2025: Prospects for young bow makers, repairers and restorers
With bow making a fixture on the ‘red list’ of endangered crafts in the UK, what’s the outlook for new students looking to become bow makers, repairers and restorers? By Peter Somerford
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Premium ❘ FeatureIn Focus: A 1659 violin by Nicolò Amati
Colin Adamson examines a mid-17th-century violin by the revered Cremonese maker
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NewsPartial success for Newark violin making students as one-year courses announced
The new courses will cost £4,000 and students will receive certificates of competency on completion
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Premium ❘ FeatureMaking Matters: constructing a quartet from one maple tree
Hans Jóhannsson reflects on the experience of making a quartet of instruments using maple sourced from a single tree
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Premium ❘ FeatureMy Space: Alan Beavitt’s Scoraig workshop
Take a tour of the maker’s Scottish shop
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Premium ❘ FeatureIn Focus: A 1942 violin by Arturo Fracassi
Leonardo Cella examines the mid-century instrument by the Italian maker
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Premium ❘ FeatureCharles Beare: 1937–2025
One of the world’s most renowned violin experts died on 26 April this year. Anne Inglis looks back at his life, while friends and colleagues share their memories
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Premium ❘ FeatureTrade Secrets: Creating neck graft sockets – part one
The first of two articles on this topic gives a full and thorough account of casting a scroll and pegbox
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FocusIlya Finkelshteyn: Playing the Domenico Montagnana ‘Farina’ cello 1730
Cellist Ilya Finkelshteyn shares his experience of playing the ’Farina’, the cover instrument of The Strad’s July 2025 issue and poster. He is principal cellist in the Cincinnati Symphony Orchestra, a faculty member of the University of Cincinnati College Conservatory of Music, and a frequent performer at the Mostly Mozart ...
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Premium ❘ FeaturePower and majesty: Domenico Montagnana ‘Farina’ cello 1730
Made by Domenico Montagnana in 1730, the ‘Farina’ cello is a stunning instrument with a rich, powerful sound. John Waddle and Steve Sirr delve into its history and show how CT scans helped gather measurements for this month’s poster
