All Lutherie articles – Page 5
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Premium ❘ FeatureIn Focus: An 1895 double bass by Vincenzo Postiglione
Luigi Sisto examines the late 19th-century instrument
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Premium ❘ FeatureThe Strad Calendar 2026: Treasures of Canada
The Strad Calendar for 2026 shines the spotlight on twelve instruments owned by Canimex, one of Canada’s leading supporters of the arts. Christian Lloyd surveys the riches
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Premium ❘ FeatureTieffenbrucker family: secret history
Stefano Pio delves into 16th-century records to discover how the Tieffenbrucker family of makers contributed to the international success of Italian lutherie – including one of the best-known names of the era
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Premium ❘ FeatureTrade Secrets: Custom crack-levelling clamps made with 3D printing
A new way to glue cracks without the aid of a mould
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NewsUK government proposes charging for Musical Instrument Certificates
Under the proposals, instrument owners in Britain may need to pay up to £200 per application
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Premium ❘ FeatureMy Space: Wiebke Lüders’ Voss workshop
Take a look at the maker’s Norwegian workshop
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Premium ❘ FeatureTrade Secrets: Fitting a marquetry inlay
A guide to adding a unique, personalised touch to an instrument front or back
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Premium ❘ FeatureSmall violas: does size matter?
Luthiers Bas Maas and Francesco Piasentini report on a series of experiments in Villefavard, France, seeking to discover conclusively whether small violas can produce sound as ‘big’ as larger models
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NewsViolinist Anthony Marwood loaned c.1709 Stradivari
The British musician will give his first performance on the c.1709 ‘Scotta’ on 14 September
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Premium ❘ FeatureLutherie in Berlin: Berlin calling
While some European capitals have a well-documented history of violin making, Berlin has passed under the radar. Daniel Kogge looks at some of the German capital’s most prominent makers from the 18th century onwards
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Premium ❘ FeatureIn Focus: A 1705 violin by Giovanni Battista Rogeri
Julian Hersh examines an instrument made only a few years before the Brescian maker’s death
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FocusWhat viola does Tabea Zimmermann play?
The Strad’s September 2025 cover artist shares details about her instrument and bow
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FocusMaking Matters: The consequences of a pernambuco ban
With a worldwide ban on the pernambuco trade again becoming a real possibility, Christian Lloyd looks at the potential consequences for musicians, makers, dealers and anyone who loves instrument bows
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Premium ❘ FocusPostcard from Prague: Metelka Violin Making Competition
John Dilworth was a very hands-on judge at the 2025 Metelka Violin Making Competition, where he was gratified to find the art of lutherie in a healthy state
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Premium ❘ FeatureMy Space: Zoltán Délczeg’s Budapest workshop
The luthier presents his shop in the Hungarian capital
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Premium ❘ FeatureBridge acoustics: the invisible bridge
Is it possible to simulate the effects of bridge adjustment in a computer? Physicist Jim Woodhouse presents the results of a series of experiments to demonstrate the possibilities
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Premium ❘ FeatureMaking Matters: Carving each violin part with a CNC machine
Stuart Ross and Paul Boardman explore the possibilities of using a CNC machine to carve each part of a violin, discovering how some stages benefit while others still need a luthier’s hand
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Premium ❘ FeatureTrade Secrets: Creating neck graft sockets – part two
The second of two articles shows the completion of this intricate and sometimes tricky process
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Premium ❘ FeatureTeaching lutherie in Latin America: sowing the seeds for success
Peter Somerford explores how an instrument repair initiative, set up by the Latin American youth orchestra venture Iberorquestas and violin maker Lionnel Genovart, has grown to create a new generation of luthiers
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Premium ❘ FeatureIn Focus: A 1659 violin by Nicolò Amati
Colin Adamson examines a mid-17th-century violin by the revered Cremonese maker
