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Vibrato

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Vibrato: three reminders from our online editor Davina Shum

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The Art of Vibrato: Techniques and Tips for Violinists

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Violinist Aaron Rosand on how to produce a good vibrato

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Cellist David Finckel on vibrato

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Developing arm, wrist and finger vibrato

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Why can't players get vibrato right?

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Cellist Steven Isserlis on using vibrato to improve phrasing

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10 things you need to know about vibrato

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Violinist Lihay Bendayan: Fourth finger vibrato

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Cellist Paul Katz on creating your ideal sound with vibrato

exercise 1

Technique: Continuous vibrato

  • 8 ways to vary your vibrato

  • Early vibrato was one aspect of a vastly different sound world

  • Vibrato in slow motion - on violin and cello

  • American cellist Paul Katz on right-hand vibrato

  • How to develop an expressive vibrato

  • 'Bach should be played with vibrato,' says violinist Pinchas Zukerman

  • 'Extremes of constant vibrato or none at all do not solve musical problems,' says violinist Anne-Sophie Mutter

  • 'Even the best vibrato can't help a poor right-hand sound,' says cellist Wolfgang Emanuel Schmidt

  • Cellist János Starker on vibrato

  • Cellist David Finckel on producing a wider vibrato

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