Teaching

ViolinLesson

Focus

Opinion: Make ’em laugh

2021-09-01T12:15:00+01:00

Humour can be a useful tool when teaching – especially online, argues Naomi Yandell

BaroqueComposers

Debate

Opinion: On the margins

2021-05-07T10:35:00+01:00

Conservatoires should do more to make 17th-century music a fundamental part of the curriculum, writes Walter Reiter

Current online issue

 

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November

‘I want to explore great repertoire and believe I have something to add; I have a unique voice and feel it should be heard’
US violinist Chad Hoopes on making unconventional career choices, and sharing his knowledge with the next generation of players.

‘I can certainly understand why an artist who has met obstruction at every level would feel angry’
Why are black musicians still under-represented in the US classical music world? We talk to string players across the country about how things could change.

'Should we copy what we see now, incorporate personal preferences, or adapt to the wood differences?'
Will a Stradivari copy sound like a Strad?

''The objective was Bach, not Biondi'' Violinst Fabio Biondi on his new recording of the Bach Sonatas and Partitas.

With a large and growing music community, the San Francisco Bay Area became a hotbed of violin and bow making talent in the early 20th century.

'The publication of "Traditional" Scottish tunes was a profitable endeavour in the early 18th century' The trend of combining Scots folk melodies and Italian art music grew fashionable in 18th-century drawing rooms.

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