Concert reviews – Page 18
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ReviewRoland Glassl: viola and piano works by Johanna Senfter
Compelling accounts put an overlooked composer back on the map
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ReviewLionel Handy: British Cello Works Vol.2
Fascinating repertoire needs stronger characterisation
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ReviewConcert review: Risa Hokamura (violin) Albert Cano Smit (piano)
Leah Hollingsworth attends the violinist’s New York debut at Merkin Concert Hall on 8 February 2023
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ReviewConcert review: Alisa Weilerstein (cello) New York Philharmonic/Nathalie Stutzmann
Leah Hollingsworth hears the cellist’s account of Prokofiev’s Sinfonia concertante op.125 at David Geffen Hall on 24 February 2023
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ReviewConcert review: Casals Quartet
Bruce Hodges hears a performance of Haydn, Ligeti and Beethoven at Philadelphia’s Kimmel Center on 16 February 2023
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ReviewConcert review: Maxim Vengerov (violin) Romanian National Philharmonic Orchestra/Sergey Smbatyan
David Kettle attends an unusual performance by the violinist at Edinburgh’s Usher Hall on 27 November 2022
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ReviewConcert review: Pavel Haas Quartet, Boris Giltburg (piano)
Tim Homfray hears the performance of Martinů, Bartók and Dvořák at London’s Wigmore Hall on 1 February 2023
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ReviewConcert review: Patricia Kopatchinskaja (violin) Joonas Ahonen (piano)
Peter Quantrill visits London’s Milton Court Concert Hall on 17 February 2023 for a performance of Schoenberg, Webern and Beethoven
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ReviewConcert review: Alena Baeva (violin) Vadym Kholodenko (piano)
Edward Bhesania pays a visit to London’s Wigmore Hall for the recital of on 19 February 2023
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ReviewRaphael Wallfisch: In Exile
A timeless subject is explored in a new concerto for cello and voice
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ReviewConcert review: Aizuri Quartet
Aizuri Quartet Perelman Theater, Kimmel Center 12 February 2023 A Clara Schumann song, ‘Ich stand in dunkeln Träumen’ (I Stood Darkly Dreaming), arranged by Karen Ouzounian – cellist of the Aizuri Quartet – began this programme exploring the subject of darkness to sunrise. And, with ...
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ReviewChristine Bernsted: Auerbach
A Danish duo on searing form in one of contemporary music’s great mavericks
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ReviewBook review: Crossing Bridges
Raphael Klayman reviews the conversational memoir of US fiddler and teacher Mark O’Connor
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ReviewBook review: The Well-Tempered Cello: Life with Bach’s Cello Suites
Janet Banks reviews an account by Miranda Wilson of learning and performing Bach’s Six Cello Suites from memory
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ReviewBook review: Jacksons, Monk & Rowe and the Brodsky Quartet: The Formative Years
Tully Potter reviews the memoir of Jacqueline Thomas, cellist of the UK’s Brodsky Quartet for more than 50 years
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