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Perhaps somewhat frustrated with the scarcity of double bass repertoire, Valentina Ciardelli is committed to finding and creating new repertoire for double bassists.
Valentina is the founder of the How I met Puccini project, transcribing arias for double bass and other stringed instruments. She speaks about showcasing and celebrating the double bass for what it is, idiomatic writing, and the ever-fascinating parallels between string playing and voices.
Che puoi Farmi, non ti temo - fantasia su La Rondine per 2 Contrabbassi
Valentina Ciardelli, Manuel dell’Oglio - double basses
Photo credit: Juno Snowden/ Trinity Laban Conservatoire of Music and Dance
Listen to more episodes of The Strad Podcast here
In The Best of Technique you’ll discover the top playing tips of the world’s leading string players and teachers. It’s packed full of exercises for students, plus examples from the standard repertoire to show you how to integrate the technique into your playing.
The Strad’s Masterclass series brings together the finest string players with some of the greatest string works ever written. Always one of our most popular sections, Masterclass has been an invaluable aid to aspiring soloists, chamber musicians and string teachers since the 1990s.
American collector David L. Fulton amassed one of the 20th century’s finest collections of stringed instruments. This year’s calendar pays tribute to some of these priceless treasures, including Yehudi Menuhin’s celebrated ‘Lord Wilton’ Guarneri, the Carlo Bergonzi once played by Fritz Kreisler, and four instruments by Antonio Stradivari.