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If you’ve got a copy of our new February 2024 issue, (or seen it online) you would’ve seen our Masterclass feature on the first movement of Brahms’s Violin Sonata no.2, op.100 with violinist Daniel Kurganov. The interview for the Masterclass feature was just a tiny part of a larger conversation that, in addition to Daniel’s musical and technical advice on the work, included his wider thoughts on historical performance and the meaning of authenticity.
Have a listen to an excerpt online editor Davina’s interview with Daniel, which starts off with him giving a bit of historical context on the piece that he has recorded and released recently with pianist Constantine Finehouse, on their album The Brahms Age.
Brahms Violin Sonata no.2 in A major op.100
I: Allegro amabile
Daniel Kurganov, violin / Constantine Finehouse, piano
The Brahms Age
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In The Best of Technique you’ll discover the top playing tips of the world’s leading string players and teachers. It’s packed full of exercises for students, plus examples from the standard repertoire to show you how to integrate the technique into your playing.
The Strad’s Masterclass series brings together the finest string players with some of the greatest string works ever written. Always one of our most popular sections, Masterclass has been an invaluable aid to aspiring soloists, chamber musicians and string teachers since the 1990s.
American collector David L. Fulton amassed one of the 20th century’s finest collections of stringed instruments. This year’s calendar pays tribute to some of these priceless treasures, including Yehudi Menuhin’s celebrated ‘Lord Wilton’ Guarneri, the Carlo Bergonzi once played by Fritz Kreisler, and four instruments by Antonio Stradivari.