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Intonation
For string players of all ages and abilities, tuning is a constant concern. Here you will find content to help you perfect those niggling intonation issues, including articles and video on:
Latest Intonation
Those notorious liars: thirds and sixths!
Getting the intonation right on your thirds and sixths can be tricky and misleading. Cellist Michael Reynolds shares some strategies to make the process less painful and more in tune
What in-tarnation? Exploring expressive intonation with cellist Michael Reynolds
Cellist Michael Reynolds shares the importance of expressive intonation, as well as practical intonation tips that should prevent your string quartet from disbanding!
‘We just love what we do’: 21 years of the Sacconi Quartet
Comprising violinists Ben Hancox and Hannah Dawson, violist Robin Ashwell and cellist Cara Berridge, the members of the Sacconi Quartet chat with The Strad about their guiding principles throughout their shared history together, as well as as some memorable performances
Intonation
Cellist Pablo Casals on expressive intonation
The great artist believed that 50 per cent of a player's total dramatic power lay in exaggerated intonation, writes former pupil Pamela Hind O'Malley
Ask the Experts: how to help a beginner pupil with intonation issues
Strad readers submit their problems and queries about string playing, teaching or making to our experts
From the Archive: the difficulties of playing in tune
The Strad writer E. Polonaski bemoans the number of string players with suspect intonation in our March 1893 issue
A 30-minute daily practice routine for violinists and violists
How to keep your playing in shape while maintaining a busy schedule, by Misha Galaganov, professor of viola and chamber music at Texas Christian University, TX, US
Technique: A 30-minute routine to keep your playing on top form
Ideas to help violinists and violists maintain high technical and musical standards around a busy regime
TwoSetViolin: The Twelve Levels of Violin Playing
The musical double act abandon their usual hijinx in favour of something more serious for newbie violinists: a whistle-stop tour of what their violin-playing career could look like (with a bit of practice).
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