Sentimental Work: Steven Isserlis

StevenIsserlis

Beethoven’s Cello Sonata no.4 was the gateway the British cellist needed to understand the myriad delights and complexities of the composer’s work

It was in my early twenties that I started studying Beethoven’s Cello Sonata no.4 in C major, and it took me further into the composer’s world than any other piece up to that time. Before that, I’d always had a problem with Beethoven – I couldn’t work out how to play it. I was missing the incredible spirit and strength that’s there from the early music onwards. If you miss that joy, humour and vitality in the music then I think you miss Beethoven. For me, it was the gateway to his later works as well.

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