June 2020 issue

Tetzlaff Quartet: The German musicians on balancing chamber playing with busy individual careers | June 2020 issue | The Strad

To access the digital edition and archive of digital issues back to January 2010 you need to subscribe.

If you have a subscription .

Cover features

Napoleonic Bows: French Connections

Several violin, viola and cello bows still survive from the Imperial Court Orchestra of Napoleon III. Gennady Filimonov examines their history, and provides evidence that the so-called ‘Napoleonic-type bows’ originated with the first Emperor rather than the third

Sarasate Letters: Beloved Mother

During a two-year concert tour of America, violinist Pablo Sarasate corresponded with his adoptive mother Amélie de Lassabathie in Paris. His surviving letters have been translated for the first time into English by Nicholas Sackman and Bastien Terraz, who present a digest of their contents

Working with Conductors: Natural Balance

When playing a concerto, the string soloist is rarely fully in charge – and working with opinionated conductors means that sometimes disagreements will occur. Charlotte Gardner speaks to three top performers and a conductor to find out how to strike the right balance

An Amati Mystery

Could the cello shown here be one of the eight ‘bass violins’ ordered by Catherine de’ Medici for the court of Charles IX of France? Luthier Filip Kuijken explores the known history of the instrument and considers whether it could be an original Andrea Amati – or a clever fake

Tetzlaff Quartet: The Real Beethoven

The members of the Tetzlaff Quartet, who recently released their first Beethoven disc, talk to Tom Stewart about what’s really behind the composer’s late quartets, about why they’ve taken a quarter of a century to record any Beethoven – and the challenge of keeping up appearances

Cover story

CD_Tetzlaff

Tetzlaff Quartet: The Real Beethoven

The members of the Tetzlaff Quartet, who recently released their first Beethoven disc, talk to Tom Stewart about what’s really behind the composer’s late quartets, about why they’ve taken a quarter of a century to record any Beethoven – and the challenge of keeping up appearances

Accessories 2020

Assortment

Shoulder Rests: The Ideal Fit

Freelance violists Edmund Riddle and Kathi Von Colson join The Strad ’s editor Charlotte Smith and contributing editor Pauline Harding to test a range of shoulder rests – and discover enormous differences in weight, balance and comfort

Playing

Orpheum_Nehring_Ridout_Zinman_TOZ_Photocredit_Thomas_Entzeroth_D511140

Working with Conductors: Natural Balance

When playing a concerto, the string soloist is rarely fully in charge – and working with opinionated conductors means that sometimes disagreements will occur. Charlotte Gardner speaks to three top performers and a conductor to find out how to strike the right balance

Lutherie

4b C.W.KnopfViolaBowFerrule[12337]

Napoleonic Bows: French Connections

Several violin, viola and cello bows still survive from the Imperial Court Orchestra of Napoleon III. Gennady Filimonov examines their history, and provides evidence that the so-called ‘Napoleonic-type bows’ originated with the first Emperor rather than the third

Trade Secrets

TS1

Trade Secrets: Lengthening a violin neck

An alternative to performing a neck graft, without the need for making a replacement

Contents

Missed an issue?

  • June 2020

  • May 2020

  • April 2020

  • March 2020