Performance nerves – Page 2
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Premium ❘ FeatureMusicians and exercise: Can a keep fit regime make you a better string player?
Violinist, researcher and consultant Berenice Beverley Zammit explains how physical exercise and simulation of the live concert environment can help string players and other musicians perform more efficiently under pressure
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FocusThe Inner Monsters responsible for performance nerves
In order to equip musicians for emotionally disconnecting from their negative thoughts, flautist Katie Frisco unpacks the three categories of Inner Monsters she characterises as being responsible for performance anxiety
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BlogsViolinist Aaron Rosand on how to succeed in competitions and auditions
The American virtuoso covers technical issues including accuracy, rhythm, intonation and vibrato, and also discusses musical authenticity and practice. From 2016
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BlogsHow can I help to conquer performance nerves by warming up my stiff, cold hands?
Brian Hodges and Diana Allan share their tips on coping with stage fright
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BlogsMaja Horvat: performing under pressure
Ruth Hallows speaks to violinist Maja Horvat, who shares her experiences of pre-performance nerves and how the pandemic has had an effect on staying calm
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BlogsThe show must go on: letting performance inform practice
In the final instalment of a four-part blog series, practice and performance consultant Adam Hockman reveals how assessing past performances is the key to objective practice
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Premium ❘ FeatureHow to teach adult string students
Teaching adults need not be a daunting prospect. For Alice McVeigh the rewards outweigh the problems, as she reveals in her guide for tutors. From 2014
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BlogsThe show must go on: conducting a retrospective review
In the third instalment of a four-part blog series, practice and performance consultant Adam Hockman examines how reviewing past performances can assist musicians in future endeavours
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BlogsFinding greater freedom of expression: a conversation with violinist Alina Pogostkina
Emma Baird speaks to violinist Alina Pogostkina about revolutionising current approaches to high-level classical music training, and how to play with more freedom, honesty and depth of expression
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BlogsThe show must go on: once the bow leaves the strings
In the second instalment of a four-part blog series, practice and performance consultant Adam Hockman shares some post-performance strategies
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Video‘It hypes you up in the wrong way’: violinists on what not to do before a performance
Violinists Tasmin Little and Jennifer Pike share strategies on how to keep composure before a performance
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BlogsThe show must go on: post-performance glow starts at the very beginning
In the first of a four-part blog series, practice and performance consultant Adam Hockman shares tips for non-musical preparation that can help determine the success of your performance
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FocusThe Strad Podcast Episode #34: Maria Ioudenitch on her competition success
The winner of both the Tibor Varga and Joseph Joachim International Violin Competitions in 2021 reflects on a successful year
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FocusThe Power of a Performance Psychologist
What can musicians learn from sports and ballet psychology? Violinist Emma Baird speaks to performance psychologist Britt Tajet-Foxell, with further accounts from cellist Matthew Barley and violinist Ksenia Berezina
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FocusThe Strad Podcast Episode #26: Alun Thomas on Alexander Technique
’We need to find a way of getting out of our own way, to stop the things that we don’t need’
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Focus10 points to help you handle performance anxiety
Violinist and performance consultant Berenice Beverley Zammit shares some helpful reminders for those dealing with stage fright, including why you should regard yourself as a superhero
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BlogsHow to be successful in an orchestral audition - LSO violinist Maxine Kwok
London Symphony Orchestra first violinist Maxine Kwok offers tips for string candidates on preparing for orchestral auditions in this interview from 2014
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Blogs10 tips for a successful orchestral audition
Chicago Symphony Orchestra cellist Brant Taylor offers advice to candidates hoping to succeed in that all-important orchestral audition
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Premium ❘ FeatureAuditioning advice: Position vacant
Looking for that all-important orchestral job? Oregon Symphony violist Charles Noble provides some tips on how to impress the audition panel, in the first of two articles from July 1999
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Premium ❘ FeaturePerformance anxiety: Fighting stage demons
How often has a potential performance of a lifetime turned into a performance from hell? Are you suffering from from stage fright? Laurinel Owen gives advice overcoming this common affliction, from the December 1996 issue
