Masterclass – Page 6
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ArticleThe Strad Masterclass: Paul Silverthorne on Brahms Viola Sonata op.120 no.2
Whatever choices you make, remember Brahms's reply to a musician asking for advice: 'Play it how you like, but play it beautifully'' Paul Silverthorne speaks about performing Brahms’s Second Viola Sonata to The Strad, and performs the entire work in the video above. Silverthorne continues The Strad’s marked-up sheet music ...
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Masterclass: Augustin Hadelich on Tchaikovsky's Violin Concerto, Part 2
In the second of a two-part article, Hadelich discusses Auer’s amendments, the cadenza and applause. From the January 2017 issue
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Masterclass: Augustin Hadelich on Tchaikovsky's Violin Concerto, Part 1
In the first of a two-part article, Hadelich discusses timing, tradition and character in the acrobatic first movement. From the December 2016 issue
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The Strad Masterclass: Pieter Wispelwey on Brahms Cello Sonata op.99
We need to look at this awesome, great, powerful and heroic movement with fresh eyes' Pieter Wispelwey talks about performing the first movement of Brahms's Cello Sonata op.99 and provides demonstrations in the video above. Wispelwey continues The Strad’s marked-up sheet music series in association with Henle Verlag with the ...
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The Strad Masterclass: Danjulo Ishizaka on the Grieg Cello Sonata
In the video above cellist Mischa Maisky and pianist Martha Argerich perform the first movement - Allegro agitato - of Grieg's Cello Sonata, op.36. Cellist Danjulo Ishizaka continues The Strad’s new marked-up sheet music series in association with Henle Verlag with the work's first movement – giving bowings, fingerings and ...
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The Strad Masterclass: violist Maxim Rysanov on Schubert's Arpeggione Sonata
Maxim Rysanov performs Schubert's Arpeggione Sonata, arranged for viola by Dobrinka Tabakova, with DalaSinfoniettan, conducted by Tobias Ringborg at Vinterfest 2011. The violist continues The Strad’s new marked-up sheet music series in association with Henle Verlag with the Arpeggione's first movement – giving bowings, fingerings and ideas for interpretation in ...
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The Strad Masterclass: violinist James Ehnes on Beethoven's Spring Sonata
Sometimes people seem to think it's more important that their interpretations be defensible than beautiful, and that's absurd' James Ehnes speaks about interpreting Beethoven to The Strad, and performs the composer's Romance no.1 with the Royal Stockholm Philharmonic Orchestra conducted by Marin Alsop (above). The violinist continues The Strad’s new ...
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The Strad Masterclass: cellist Wolfgang Emanuel Schmidt on Schumann's Adagio and Allegro
Wolfgang Emanuel Schmidt, professor of cello at the University of Music Franz Liszt Weimar, performs Schumann's Adagio and Allegro op. 70 with pianist Keiko Tamura. The cellist continues The Strad’s new marked-up sheet music series in association with Henle Verlag with Schumann's Adagio and Allegro – giving bowings, fingerings and ...
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The Strad Masterclass: Ray Chen on Mozart's Third Violin Concerto
What makes Mozart so difficult to play? It's finding that perfect balance between simplicity on one hand, and complexity on the other. Like being young and energetic, but having a mature and experienced sound' Ray Chen talks about finding a balance in Mozart - and compares his music to a ...
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Left-hand pivots and the crab fingering system with bassist François Rabbath
The French soloist and teacher advises on how to improve intonation and dexterity on the double bass. From the October 2015 issue
