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‘Teaching, touring and technology’: the Curtis Institute’s Dover Quartet on the future of string playing
Thomas May visited the US’s pre-eminent conservatoire of music, the Curtis Institute in Philadelphia, as part of the school’s 100th anniversary celebrations. While there, he spoke to the Dover Quartet’s cellist, Camden Shaw, about what being part of Curtis’s faculty means to him and to his colleagues, and to the ...
Cover story
Violinist Ray Chen: Making the connection
Global violinist Ray Chen’s mission is to connect people through music. He speaks to Amanda Holloway about his work both on and off the concert platform – through his Tonic practice app, his social media presence and his new album
Playing
Scandinavian Cello School: The road to Vienna
From rural Denmark to Vienna’s Musikverein, Rita Fernandes discovers the Scandinavian Cello School’s distinctive educational ethos while on tour with its cello octet
Lutherie
A unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
Technique
Technique: Rick Stotijn on double bass pizzicato
The Dutch bassist offers tips on exploring the world of pizzicato on double bass
Masterclass
Masterclass: Mendelssohn String Quartet in F minor, first movement
Second violinist of the Aris Quartet Noémi Zipperling examines Mendelssohn’s emotionally charged movement, considered to be a requiem for his sister and, ultimately, himself