G.B Guadagnini’s 1773 ‘Cozio’ viola: The only constant is change

front

The commercial relationship between G.B. Guadagnini and Count Cozio di Salabue allowed the luthier greater freedom to experiment. Alberto Giordano and Barthelemy Garnier examine a 1773 viola to show how the 62-year-old maker continued to adopt new methods and ways of working in this period

Discover more lutherie articles here

Read more premium content for subscribers here

Click here to purchase a poster of the 1773 ‘Cozio’ Guadagnini viola

This article appeared in the January 2022 issue of The Strad

In 1816, the famed collector Count Ignazio Alessandro Cozio di Salabue entrusted a number of his instruments to his friend Carlo Carli, a Milanese banker, for him to sell. In the inventory he wrote: ‘the best viola of mine made by Giambattista Guadagnini [in] 1773; joined back with light flames, fine front of one piece, the beautiful f-holes with almond [oval] holes, the bold scroll.’ More than 40 years after purchasing it, the Count was still fond of this viola, one of the two made for him by Guadagnini and among the very first batch of instruments acquired by the Count. The agreement between the young aristocrat and the violin maker was signed on 28 December 1773, but the collaboration had started earlier: the six violins and two violas were a significant part of Guadagnini’s production for that year. They were made during the mourning period for the death of Charles Emmanuel III of Savoy, King of Sardinia, during which any theatrical or musical performance was prohibited…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.