Improve your playing
Bowing
Left hand
Intonation
Vibrato
Tone
Shifting
Pizzicato
Double stops
Memorising
Performance nerves
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Improve your playing
Cellist Pablo Casals on expressive intonation
The great artist believed that 50 per cent of a player's total dramatic power lay in exaggerated intonation, writes former pupil Pamela Hind O'Malley
6 ways to improve your staccato
Martelé: Essential foundations for a top-quality bow technique
Movement in the bow hand and wrist, by violin professor Boris Kuschnir
String players should bow with individual fingers rather than the whole hand
Violinist Aaron Rosand on why memorisation is key to interpretation
