All Guarneri ‘del Gesù’ articles
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ReviewBook review: Italian Violin Making in Argentina
Bharat Khandekar reviews Pablo A. Saraví’s publication on the little-known culture of lutherie among the immigrant population of South America’s second-largest country
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NewsPaganini’s ‘Il Cannone’ violin receives X-ray treatment
The historic 1743 Guarneri ’del Gesú’ violin has been scanned by a particle accelerator in Grenoble in search for the secrets to its unique sound
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FocusThe Strad Calendar 2024: 1742 ‘Lord Wilton’ Guarneri ‘del Gesù’ violin
Best known as Yehudi Menuhin’s instrument for much of his career, the violin is still in an excellent state of preservation
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FocusThe Strad Calendar 2024: 1737 ‘Panette’ Guarneri ‘del Gesù’ violin
For years the main instrument used by Isaac Stern, it is now in the hands of Renaud Capuçon.
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FocusThe Strad Calendar 2024: 1737 ‘King Joseph’ Guarneri ‘del Gesù’ violin
Once considered the crowning achievement of Guarneri’s career, this instrument has pristine golden-orange varnish
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BlogsHow does it feel to play Ysaÿe’s violin? ‘Silky smooth’ - Benjamin Beilman
Benjamin Beilman shares what it’s like to play the 1740 Guarneri del Gesù ’Ysaÿe’ violin, ahead of the opening performance of the Boscobel Chamber Music Festival on 1 September
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FocusThe Strad Podcast #86: violinist Francisco Fullana on the 1735 Guarneri ‘del Gesù’ ’Mary Portman, ex-Kreisler’ violin
Steeped in history, this violin has enabled Francisco Fullana to unleash his musical creativity
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NewsGuarneri ‘del Gesù’ c.1731 ‘Baltic’ violin sells for $9.44 million at auction
The violin is now the most expensive instrument by the maker ever to be sold at auction
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Blogs‘A huge versatility of sound’: Arabella Steinbacher on the 1744 ‘Sainton’ Guarneri ‘del Gesu’ violin
The violinist was recently loaned the 1744 ’Sainton’ Guarneri ‘del Gesu’ violin for her new recording of Bach and Pärt. She shares her thoughts on the instrument with The Strad
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Premium ❘ Feature‘An appearance of delicacy’ - Guarneri ‘del Gesù’ 1736 violin: Beauty from the Beast
Although Guarneri ‘del Gesù’ is best known for his wild, unruly later masterpieces, the 1736 ‘Cessole’, ‘Teja–Ferni’ violin reveals his softer side, as Carlo Chiesa explains