All Galleries articles
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GalleryViolin Society of America: 2019 Convention
Dallas, Texas, was the setting for the VSA’a annual congress, where Sam Zygmuntowicz gave the keynote speech
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Gallery
The Strad’s Halloween hall of horrors
10 gut-wrenching photos of cruelty to cellos, brutality to basses, violence to viols and more…
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From the Archive: the ‘General Kyd’ Stradivarius violin, Cremona, 1714
This illustration of the ‘General Kyd’ Stradivarius was published in The Strad, January 1962. The following text is extracted from the article accompanying the photographs
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Gallery
In Focus: 1778 violin by G.B. Guadagnini
Dorothy DeLay’s favourite instrument comes from Guadagnini’s Turin period, and shows the influence of his patron Count Cozio di Salabue, writes John Dilworth
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News
Cello stolen on Paris-Le Mans train
The instrument, built by Parisian luthier Charles Coquet in 2012, was taken yesterday afternoon
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From the Archive: a Joseph Rocca violin, 1836
This illustration of a Joseph Rocca violin was published in The Strad, May 1938. The following text is extracted from the article accompanying the photographs
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From the Archive: a violin by Giuseppe Guarneri 'filius Andreae', Cremona, 1712
This illustration of a violin by Giuseppe Guarneri 'filius Andreae' was published in The Strad, April 1973. The following text is extracted from the article accompanying the photographs
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From the Archive: a violin by Joseph Rocca, Turin, 1847
This illustration of a violin by Joseph Rocca was published in The Strad, February 1973. The following text is extracted from the article accompanying the photographs
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From the Archive: a viola by Paolo Antonio Testore, Milan, c.1740
This illustration of a viola by Paolo Antonio Testore was published in The Strad, January 1973. The following text is extracted from the article accompanying the photographs
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From the Archive: a violin by Nicolas Lupot, Paris, 1809
This illustration of a violin by Nicolas Lupot was published in The Strad, December 1972. The following text is extracted from the article accompanying the photographs
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From the Archive: a violin by Benjamin Banks, Salisbury, late 18th century
This illustration of a violin by Benjamin Banks was published in The Strad, May 1970. The following text is extracted from the article accompanying the photographs
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From the Archive: the ‘Doria’ Maggini violin
This illustration of the ‘Doria’ Maggini was published in The Strad, June 1939. The following text is extracted from the article accompanying the photographs
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From the Archive: a violin by Luigi Fabris of Venice
This illustration of a violin by Luigi Fabris of Venice was published in The Strad, October 1938. The following text is extracted from the article accompanying the photographs
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From the Archive: a cello by Gennaro Gagliano of Naples
This illustration of a cello by Gennaro Gagliano was published in The Strad, March 1938. The following text is extracted from the article accompanying the photographs
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From the Archive: a violin by Antonio Gragnani
This illustration of a violin by Antonio Gragnani was published in The Strad, January 1938. The following text is extracted from the article accompanying the photographs
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From the Archive: a violin by Francesco Rugeri, Cremona, 1678
This illustration of a violin by Francesco Rugeri was published in The Strad, November 1937. The following text is extracted from the article accompanying the photographs
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Gallery
The Nevis Ensemble performs on the remote islands of St Kilda
40 musicians on chartered boats travelled to the westernmost Scottish island as part of Hebridean tour
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From the Archive: a violin by J.B. Guadagnini
This illustration of a violin by J.B. Guadagnini was published in The Strad, September 1937. The following text is extracted from the article accompanying the photographs
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From the Archive: an Alexander Despine cello
This illustration of an Alexander Despine cello was published in The Strad, February 1953. The following text is extracted from the article accompanying the photographs:
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From the Archive: a violin by Tomaso Carcassi, Florence
This illustration of a Tomaso Carcassi violin was published in The Strad, March 1953. The following text is extracted from the article accompanying the photographs:
