All Focus articles – Page 10
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Focus5 tips for conquering performance nerves from 5 solo string players
Artists share their wisdom on battling the fear monster, as featured over the last five years of The Strad
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Focus
In focus: the 1696 Stradivari 'Archinto' viola
John Dilworth praises the archetypal beauty of Stradivari’s ‘Archinto’ viola, a magical example of form and aesthetic
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Jascha Heifetz – champion of modern violins
Dario Sarlo reveals a lesser-known passion of the great violinist, and how it led him to start his own lutherie competition
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4 reasons why Arabic poetry inspires me
To tie in with our review of her Inner Rhyme CD, Lebanese violinist Layale Chaker explains why she finds musical inspiration in Arabic poetry
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7 tips on motivating yourself to practise
7 different string players share their wisdom on maintaining motivation - as featured over the last 10 years in The Strad
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Looking after Paganini's 'Il Cannone' violin
Entrusted with the task of conserving one of the world’s most valuable violins, Bruce Carlson has made it easier to play, while taking it closer to how it would have looked to Paganini. In this article first published in 2004, he explains
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Focus
Why aren't more British string players making it big internationally?
Despite the large number of young and talented string players in Britain, few seem to make an impact as leading soloists on the world stage. Charlotte Gardner explores the reasons for this phenomenon
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5 views on Tchaikovsky's Violin Concerto
Five violinists share their insights into this pillar of the repertoire in these snippets of interviews featured in The Strad
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6 ways to improve shifting for string players
Advice on how to shift smoothly and cleanly from 120 years of The Strad
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Resonanzio resonance podium for double bass
Turning everyday practicality to musicians’ acoustic advantage
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Musical emissaries: The Shanghai Quartet
The players of the pioneering ensemble, which is celebrating its 35th anniversary, speak to Charlotte Smith about forming at a time when Western chamber music was barely understood in their native China
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Alfred Staar on what constitutes the Viennese School
Alfred Staar’s influence continues to be felt today – no fewer than 22 of his former students currently hold posts in the Vienna Philharmonic. Inga Brandini shares a conversation with the professor from 15 March 2000, shortly before his death a month later
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Stringtelligence by Thomastik-Infeld: wolf tones and string buzzing
In the second of the new blog series for The Strad celebrating Thomastik-Infeld’s 100th anniversary, Franz Klanner, the Austrian string manufacturer’s director of engineering and technology, shares his experience in how to tame a wolf tone and get rid of irritating string buzzing
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Postcard from South Africa - ‘What It Takes: Double Bass’
Young South African double bass players took part in a new dedicated course for their instrument at the end of last year – with promising results, writes faculty member Leon Bosch
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Yogic principles and string playing
Cellist Ruth Phillips looks at the connections between yoga, playing an instrument and making music through the elements of breath, gravity and the wave
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Masterclass: Jan Vogler on Schumann's Fantasiestücke
Cellist Jan Vogler discusses how to colour these fantasy pieces using a mixture of technique and imagination
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5 practice tips from Leila Josefowicz
To tie in with our review of her latest CD, the violinist shares her insights
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The secret behind Paganini's amazing technique
Generations of violinists have tried to discover what it was that made Paganini so legendary. In this article from 2014, the late great Ruggiero Ricci shared his thoughts with Strad readers
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Tan Dun and Eldbjørg Hemsing on their latest collaboration
Chinese composer Tan Dun’s new concerto for Norwegian violinist Eldbjørg Hemsing draws on traditions common to the homelands of both artists. Andrew Mellor speaks to them about this latest in a series of collaborations
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