All Focus articles – Page 10
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FocusMatthew Barley: How a skiing injury changed the way I play
The British cellist reveals how he overcame the shoulder complaint that threatened his career. From the January 2009 issue
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Brahms among the Palms: Postcard from Boca Raton
Florida’s second triennial Elmar Oliveira International Violin Competition brought a classical feast to a part of the world perhaps better known for its beaches and golf retreats, writes Laurence Vittes
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Russian cellist Karine Georgian remembers lessons with Mstislav Rostropovich
An intense seven-year period of study at the Moscow Conservatoire was hugely influential
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Academy of St Martin in the Fields on their current music director Joshua Bell
The Academy of St Martin in the Fields celebrates its 60th anniversary this season with a 60-CD box set of its celebrated recordings, and tours to Europe and the US. Toby Deller speaks to some of the orchestra’s long-standing string players about the experience of playing under their current music ...
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Technique: How do you develop musicality?
Exercises and advice from Ross Harbaugh, professor of cello at Miami’s Frost School of Music, to help build musical awareness and understanding
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Where can musicians find financial support at this time?
A round-up of UK and US-based organisations offering financial support to musicians during these challenging times
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7 ways to harness mental practice for musicians
Tips for using mental imaging to boost your musical practice regime from The Strad’s archive
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Remembering the Hungarian pedagogue Béla Katona
One of the 20th century’s greatest violin pedagogues, Béla Katona would have turned 100 this month. Here Tully Potter speaks to former pupils – mainly at London’s Trinity College of Music – about the success of his teaching methods
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7 views on repetitive practice
Is repetition the most effective mode of practice? Debate from The Strad Archive
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Anne-Sophie Mutter on Herbert von Karajan and John Williams
Anne-Sophie Mutter talks to Charlotte Smith about her very different, and yet in some ways remarkably similar, collaborations with conductor Herbert von Karajan and composer John Williams
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8 pieces of advice for happy string quartets
Words of instruction and inspiration on quartet playing from the pages of The Strad
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Pablo Casals’s approach to vibrato
The legacy of Pablo Casals can be traced primarily to the methods of his colleague Diran Alexanian and favourite student Maurice Eisenberg. Oskar Falta explores the Catalonian cellist’s main vibrato theories, as communicated by these two associates
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6 ways to perfect your double-stops
Tips from The Strad’s archive on producing even and finely tuned double-stops
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How should string teachers deal with naturally unmusical children?
It may be sad to say, but some pupils have no gift for playing at all, says Royal Northern College of Music senior lecturer in education, Philippa Bunting
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6 ways to improve your string crossing
Tips for even and seamless string crossing from The Strad’s archive
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How to achieve smooth bow changes at the frog
Former Juilliard School cello professor Bonnie Hampton answers advises readers on how to encourage smooth bow changes in their students
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11 stretching exercises for musicians
Do you feel tired and stiff after performing? Pilates instructor John Black explains how some simple stretching exercises can make all the difference
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Boris Kuschnir: Educating and forging talent
The Austrian violinist gave the below lecture on 8 December 2019 at the first meeting of the Shanghai Conservatoire of Music’s Advisory Council for International Artists
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The harmonious string quartet - a balance of four personality types
No one said that living in a quartet was easy - but the most successful groups develop a unique identity that survives vitriolic relationships and even personnel changes, writes Paul Robertson
