All Editorial articles – Page 36
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ReviewThe Strad Recommends: Chiaroscuro Quartet: Beethoven
Revelatory middle- and late-period Beethoven from the Chiaroscuro
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ReviewConcert review: Sphinx Virtuosi
Bruce Hodges visits the Perelman Theatre, Philadelphia, PA, US, on 18 October 2023 for a performance of Blache, Foley, Farías, Casarrubios, Hailstork and Perkinson
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ReviewOfra Harnoy: Elgar, Lalo
A lost recording is finally resurrected, and has been worth the wait
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ReviewAnne Harvey-Nagl: Respighi, Strauss
Assured accounts of two demanding sonatas are let down by the acoustic
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ReviewDanbi Um: Much Ado: Romantic Violin Pieces
A competition veteran makes her long-awaited solo debut album
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ReviewWen-Sinn Yang, Tassilo Probst: Weinberg
Another noteworthy album of a formerly neglected Soviet figure
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ReviewBook review: Maud Powell: Pioneer American Violinist
Tully Potter reviews the second edition of this landmark biography of the legendary US violinist
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ReviewConcert review: Danish Quartet, Jeremy Denk (piano)
Edward Bhesania hears the performance of Ligeti, Mozart and Schumann at London’s Wigmore Hall on 15 September 2023
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ReviewConcert review: Chouchane Siranossian (violin) Leonardo García Alarcón (harpsichord) Balázs Máté (cello)
Tim Homfray hears the performance of Bach, Farina, Walther, Locatelli, Naregatsi and Schmelzer at London’s Wigmore Hall on 18 September 2023
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ReviewConcert review: Patricia Kopatchinskaja (violin) Reto Bieri (clarinet) Polina Leschenko (piano)
Edward Bhesania hears the performance of Enescu, Poulenc, Bartok, Milhaud, Schoenfeld and Kopatchinskaja herself, at London’s Queen Elizabeth Hall on 24 September 2023
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ReviewThe Strad Recommends: Maxim Rysanov, Guy Johnston: Tabakova
Masterly premiere recordings make the case for an individual voice
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ReviewThe Strad Recommends: Christian Tetzlaff, Tanja Tetzlaff: Brahms, Dvořák, Viotti
Siblings inject joy into Brahms and virtuosity into Viotti
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ReviewThe Strad Recommends: Gary Hoffman: Beethoven
A new Beethoven cycle offers a fulfilling listen
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ReviewBook review: Two Violins, One Viola, a Cello and Me
Anne Inglis reviews the memoir of classical music agent Sonia Simmenauer, and her encounters with string quartets over the years
