All Editorial articles
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Review
The Strad Recommends: Trio Zimbalist: Auerbach, Dvořák, Weinberg
Performances to sit alongside the finest in this enterprising programme
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Review
Sinfonia of London: Bacewicz, Enescu, Ysaÿe
A typically classy offering from this crack ensemble
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Review
Mathis Rochat, Stephen Waarts: C.P.E. Bach, Graun
Sympathetic reworkings for the viola prove most persuasive
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Review
Schumann Quartet: 1923 – 100 Years of Radio
A quartet celebrates a seminal date to rousing effect
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Review
Leonidas Kavakos, Yo-Yo Ma, Emanuel Ax: Beethoven for Three
Music-making of great warmth from long-standing friends
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Review
The Strad Recommends: Tim Posner: Bloch, Bruch, Dohnányi
An impressive concerto debut from a characterful young Brit
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Review
Baiba Skride, Ivan Vukčević: Britten
Beauty and drama combine to create compelling performances
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Review
Isabelle Faust, Boris Faust: Britten
A strikingly urgent reading sets this new Britten concerto apart
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Review
The Strad Recommends: Daniel Rowland: Richter
A new approach to an iconic piece proves seductive
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Review
Philippe Graffin: Rêves
World-premiere recordings of newly discovered works are given with panache
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Review
Concert review: Chamber Music Society of Lincoln Center
Leah Hollingsworth hears the performance of Jessie Montgomery, Lera Auerbach, Chris Rogerson and Kaija Saariaho at the Rose Studio, New York, on 18 January 2024
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Review
Concert review: Apollon Musagète Quartet
Leah Hollingsworth hears the performance of Schubert, Dvořák and Shostakovich at the Weill Recital Hall, Carnegie Hall, New York on 7 February 2024
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Review
Concert review: Jan Vogler (cello) Amanda Gorman (poet)
Leah Hollingsworth hears the innovative performance of Bach at the Isaac Stern Auditorium in New York’s Carnegie Hall on 17 February 2024
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Review
Concert review: Joshua Bell (violin) Philadelphia Orchestra/Christoph Eschenbach
Bruce Hodges hears the performance of Chopin (arr.Milstein), Vieuxtemps, Chausson and Brahms at Philadelphia’s Verizon Hall on 16 February 2024