All Concerts articles – Page 4
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Review
Concert review: Music of the Elements with Pupils of the Yehudi Menuhin School
Edweard Bhesania listens to the performance of Cheryl Frances-Hoad, Richter, Takemitsu and Debussy at London’s Kings Place on 14 March 2024
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Review
Concert review: Veronika Eberle (violin) Adrien La Marca (viola) Quirine Viersen (cello)
Edward Bhesania hears the performance of Beethoven, Roussel and Mozart at London’s Wigmore Hall on 6 March 2024
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Review
Concert review: Takács Quartet
Haydn, Beethoven and Nokuthula Ngwenyama at New York’s 92NY, Theresa L. Kaufmann Concert Hall on 13 March 2024
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Review
Concert review: Tesla Quartet
Bruce Hodges hears the performance of Haydn, Stacy Garrop and Ravel at the Black Squirrel Club, Philadelphia, on 30 March 2024
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Review
Concert review: Aizuri Quartet, Kim Kashkashian (viola) Marcy Rosen (cello)
Bruce Hodges hears the performance of Reena Esmail, Shulamit Ran, Fanny Mendelssohn, Felix Mendelssohn and Clara Schumann at the American Philosophical Society, Philadelphia, on 24 March 2024
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Review
Concert review: Jack Quartet
Bruce Hodges hears the performance of Natacha Diels’s Beautiful Trouble at New York’s Roulette on 15 March 2024
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Review
Concert review: Marmen Quartet
Tim Homfray hears the performance of Haydn and Debussy at London’s Wigmore Hall on 25 February 2024
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Review
Concert review: Chamber Music Society of Lincoln Center
Leah Hollingsworth hears the performance of Jessie Montgomery, Lera Auerbach, Chris Rogerson and Kaija Saariaho at the Rose Studio, New York, on 18 January 2024
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Review
Concert review: Apollon Musagète Quartet
Leah Hollingsworth hears the performance of Schubert, Dvořák and Shostakovich at the Weill Recital Hall, Carnegie Hall, New York on 7 February 2024
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Review
Concert review: Austin Wulliman (violin) Jack Quartet, Alec Goldfarb (electric guitar)
Bruce Hodges hears the Jack Quartet’s performance of a work by its own violinist, Austin Wulliman, at Roulette, NYC, on 15 February 2024
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Review
Concert review: Jan Vogler (cello) Amanda Gorman (poet)
Leah Hollingsworth hears the innovative performance of Bach at the Isaac Stern Auditorium in New York’s Carnegie Hall on 17 February 2024
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Review
Concert review: Joshua Bell (violin) Philadelphia Orchestra/Christoph Eschenbach
Bruce Hodges hears the performance of Chopin (arr.Milstein), Vieuxtemps, Chausson and Brahms at Philadelphia’s Verizon Hall on 16 February 2024
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Review
Concert review: Inbal Segev (cello) London Philharmonic Orchestra/Oksana Lyniv
Peter Quantrill hears the performance of Victoria Vita Polevá and Dvořák at London’s Royal Festival Hall on 9 February 2024
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Review
Concert review: Silesian Quartet, Mats Lidström (cello)
Edward Bhesania hears the performance of Weinberg and Lutosławski at London’s Wigmore Hall on 19 February 2024
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Review
Concert review: Pablo Ferrández (cello) London Philharmonic Orchestra/Karina Canellakis
Edward Bhesania hears the performance of Brahms, Mussorgsky and Shostakovich at London’s Royal Festival Hall on 21 February 2024
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Review
Concert review: Linos Piano Trio
Edward Bhesania hears the recital of Felix Mendelssohn, Fanny Mendelssohn, Boondiskulchok, Beethoven and Schubert at London’s Kings Place on 21 January 2024
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Review
Concert review: Vilde Frang (Violin) BBC Symphony Orchestra/Sakari Oramo
Peter Quantrill attends the performance of Stravinsky’s Violin Concerto at London’s Barbican Hall on 20 January 2024
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Review
Concert review: Randall Goosby (violin) Jameel Martin (viola/narrator) Eddie Pogossian (cello) Zhu Wang (piano)
Edward Bhesania listens to the performance of at London’s Purcell Room on 14 January 2024
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Review
Concert review: Goldmund Quartet
Bruce Hodges hears the performance of Schulhoff, Schumann and Haydn at Philadelphia’s Perelman Theater on 16 January 2024
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Review
Concert review: Hilary Hahn (violin) New York Philharmonic/Jakub Hrůša
Leah Hollingsworth travels to New York’s David Geffen Hall on 12 January 2024 for the performance of Coleridge-Taylor, Bach and Bartók