Have a small peek into the workings of Menuhin's interpretation. Taken from The Strad's May 2016 issue.
A marked-up first page of Bach’s Sonata no.2, from the Sonatas and Partitas, ed. Adolf Busch (1919)
For Yehudi’s 13th birthday his father Moshe presented him with the Bach Gesellschaft Urtext edition of the complete works of J.S. Bach, which had previously belonged to Max Reger. Menuhin has marked this opening page of the Sonata no.2 with almost expressionist intensity. Menuhin was still in his teens when he made the first complete recordings of Bach’s Sonatas and Partitas for HMV.
The manuscript is currently on display at the Royal Academy of Music in London as part of its 'Yehudi Menuhin: Journey with a Violin' exhibition, drawn from the Foyle Menuhin Archive.
Find The Strad's May 2016 issue here
Bach Solo Violin Sonatas: At heart a fugue
Three centuries ago, Bach had completed his set of six Sonatas and Partitas for solo violin. In the first of two articles, Lewis Kaplan, senior member of the Juilliard School faculty, discusses interpretation of the three sonatas with reference to Bach’s autograph score
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Yehudi Menuhin's marked-up copy of Bach's Solo Violin Sonata no.2
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