All Weinberg articles
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Review
Concert review: Quatuor Danel
Tim Homfray reports on the performance of Shostakovich and Weinberg at London’s Wigmore Hall on 19 March 2024
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Video
New video: Novo Quartet performs Weinberg
The award-winning ensemble presents a video performance of Weinberg’s Aria op.9, released on 10 May
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Review
Concert review: Silesian Quartet, Mats Lidström (cello)
Edward Bhesania hears the performance of Weinberg and Lutosławski at London’s Wigmore Hall on 19 February 2024
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Review
The Strad Recommends: Trio Zimbalist: Auerbach, Dvořák, Weinberg
Performances to sit alongside the finest in this enterprising programme
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Review
Trio con Brio Copenhagen: The Passenger
Music that speaks of trauma is eloquently brought to life
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Review
The Strad Recommends: Gidon Kremer: Songs of Fate
A highly personal programme offers a typically searing experience
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Review
Wen-Sinn Yang, Tassilo Probst: Weinberg
Another noteworthy album of a formerly neglected Soviet figure
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Review
Concert review: Trio Zimbalist
Bruce Hodges watches the performance of Auerbach, Weinberg and Dvořák at the Curtis Institute of Music’s Field Concert Hall, PA, US, on 11 January 2023
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Review
Yuri Kalnits, Igor Yuzefovic: Weinberg
Sympathetic performances of a composer overshadowed by Shostakovich
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Review
Arcadia Quartet: Weinberg
A second volume of quartets makes a strong case for this Soviet master
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Review
Pieter Wispelwey: Weinberg
Another key addition to the discography of this Polish-born Soviet master
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Review
Sueye Park: Journey through a Century
Treasure trove of a solo recital spans a hundred years of violin music
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Review
Arcadia Quartet: Weinberg
Eloquent album that ought to shift this neglected music into the mainstream
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Review
Concert review: Quatuor Danel
Peter Quantrill waxes lyrical about the recital at Wigmore Hall, London, on 10 December 2019
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Review
Viacheslav Dinerchtein: Weinberg
Impressive immersion in astringent and unconventional unaccompanied sonatas
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Feature
Sentimental Work: Linus Roth
Weinberg’s Violin Concerto is a work of passionate intensity, as the German violinist found – even though he hadn’t encountered the composer until eight years ago