Technical – Page 14
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VideoGlass fibre cello used to play Takemitsu
Carbon fibre instruments have been introduced on the market for a couple of years. A research team from Ghent University and School of Arts Gent has been investigating the use of composite materials for string instruments. Now, one of their prototypes, a cello made from glass fibre by luthier Tim ...
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Premium ❘ FeatureTrade Secrets: Notes on cello endpin fitting
A guide to veneer bushing and creating an ‘abrasive reamer’ for making adjustments
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Premium ❘ FeatureMaking Matters: The Sound of Science
Tom Croen reports on a 2019 experiment to discover how much variation in sound can be gained from fingerboard ‘tuning’ – and how alternative materials fare against traditional ebony
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Premium ❘ FeatureVarnish analysis: shining examples
Identifying the varnish recipes of the early makers has been a long-held dream among researchers. Now, a team at the Arvedi Laboratory of Non-Invasive Diagnostics, headed by Marco Malagodi, has used a new form of micro-CT scanning to delve further into an instrument’s coatings than ever before
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ArticleThe alchemy of the madder root
Madder root has been used since ancient times to create a deep red pigment – but the making process remains enigmatic
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Premium ❘ FeatureTrade Secrets: a peninsular bench extension
Ideas for a workplace addition that is completely accessible from all three of its sides
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Premium ❘ FeatureMaking Matters: the DNA of design
David Beard argues that the old Cremonese makers had a geometric system of design ‘recipes’ to create the vast number of different instrument patterns we see today
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BlogsHow a flight-damaged Edward Lewis viola da gamba rose from the ashes
After being seriously damaged in an Alitalia flight, a historical viola da gamba made by Edward Lewis was amazingly brought back to life by Shlomo Moyal. Here is the story of the instrument, to tie in with this month’s Making Matters
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Premium ❘ FeatureMaking Matters: a phoenix from the ashes
Luthier Shlomo Moyal explains how he restored a 1685 viola da gamba that had been almost destroyed, in a project that took a whole year of patient reconstruction
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Premium ❘ FeatureTrade Secrets: Flattening planes
A sadly necessary task for all luthiers, which should have been taken care of by the manufacturer in the first place
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FeatureStradivari and the sharkskin sandpaper
This microscope image of what looks like a shark’s tooth embedded in a 1711 cell is evidence of dogfish skin, writes Joseph Campanella Cleary
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FocusI shy away from copying models that are too individual, says violin maker Sam Zygmuntowicz
The luthier's favourite instruments provide ideal models for his own making
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NewsInfluential Italian luthier Renato Scrollavezza has died
Born in poverty and initially self taught, he went on to mentor generations of violin makers at his lutherie school in Parma
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Premium ❘ FeatureTrade Secrets: Arching, channelling and edgework
A method that unites all three parts of the making process, for a more coherent and efficient way of working
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Premium ❘ FeatureMaking Matters: The simplest machine
The humble wedge is a stalwart of the luthier’s workshop. Joseph Campanella Cleary examines some of the myriad ways they improve the quality of life for craftspeople
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Premium ❘ FeatureAsk the Experts: choosing a new violin tailpiece
A violinist asks what he should consider when choosing a new tailpiece – from the material used to the weight and shape
