All Reviews articles – Page 5
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ReviewVadim Gluzman, Friedemann Eichhorn: Schnittke
Long-time friends unite for a searing musical experience
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ReviewThe Strad Recommends: Trio E.T.A.: un///known
A recently formed group celebrates youthful promise
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ReviewThe Strad Recommends: Caroline Nicolas: Pièces en Solitude
A memorable debut presents a bright new gamba star
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ReviewConcert review: Leila Josefowicz (violin) Philadelphia Orchestra/Matthias Pintscher
Bruce Hodges hears the performance of John Williams, Copland and Matthias Pintscher himself, at Philadelphia’s Marian Anderson Hall on 1 May 2026
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ReviewConcert review: Mark Steinberg (violin) Jonathan Biss (piano)
Bruce Hodges visits Philadelphia’s Perelman Theater on 7 May 2026 for the recital of Mozart violin sonatas
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ReviewConcert review: Joseph Conyers (double bass) Philadelphia Orchestra/Naomi Woo
Bruce Hodges listens to the performance of Tan Dun, Caroline Shaw and Mozart, Hindemith and Bartók at Philadelphia’s Marian Anderson Hall on 9 May 2026
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ReviewConcert review: Signum Quartet at the Schwetzingen Festival
Carlos María Solare hears two concerts by the foursome at the Mozartsaal on 30 April 2026, followed by the Evangelische Gemeinde on 2 May
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ReviewConcert review: Galilee Quartet
Hattie Butterworth visits London’s Milton Court on 3 May 2026 for the recital of Webern and Mostafa and Gandhi Saad
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ReviewConcert review: Darkness Visible: Âme, Lawrence Power (viola)
Edward Bhesania travels to London’s Barbican Centre on 7 May 2026 for an innovative staging of Ives, Dowland, Mozart, Jonny Greenwood, Prokofiev and Cassandra Miller
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ReviewConcert review: Alisa Weilerstein (cello)
Edward Bhesania watches Fragments, an innovative staging of Bach, Joseph Hallman, Thomas Larcher, Missy Mazzoli, Jeffrey Mumford and Matthias Pintscher, at London’s Purcell Room on 17 May 2026
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ReviewAlla Maniera Italiana Quartet: Presumed Beethoven
Works of questionable authorship brought to life with lively musicianship
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ReviewBook review: The Cello Who Loved Me
Janet Banks reads amateur US cellist George Sorensen’s account of taking up the instrument in his later years, and becoming good enough to play the Beatles’ Here Comes the Sun
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ReviewBook review: Violin Culture in Britain 1870–1930: Music-making, Society, and the Popularity of Stringed Instruments
Robin Stowell reads Christina Bashford’s investigation into the explosion in the popularity of playing violin-family instruments in late Victorian and early 20th-century Britain
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ReviewBook review: Music and Silence: The Passion and Protest of Pablo Casals
Pauline Harding and her daughter read a picture-book biography of the great 20th-century cellist, focusing on his lengthy silent protest against the Franco regime
