Playing – Page 18
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Premium ❘ FeatureSession Report: the Chiaroscuro Quartet on Mozart’s ‘Prussian’ Quartets
The members of the Chiaroscuro Quartet on combining detailed preparation while retaining a sense of spontaneity when recording Mozart’s ‘Prussian’ Quartets
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Premium ❘ ArticleAnalysis November 2022: ‘The gigging system is not set up for fuel to be this expensive’
With the cost of petrol, heating and food skyrocketing in recent months, the outlook for freelance musicians this winter is less than healthy
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Premium ❘ Feature‘Go where there is no path and leave a trail’ - Emerson Quartet: We journey together
As the Emerson Quartet embarks on its final tour, the members talk to Bruce Hodges about their instruments, their future and their past as one of the great string quartets
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Premium ❘ Feature‘Paganini’s body was buried and re-buried no less than nine times’ - From the archive: November 1932
Violinist and Paganini expert Julius Siber gives some biographical notes on the ‘demon violinist’ to mark the 150th anniversary of his birth
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Premium ❘ FeatureFinding your own sound: Standing out from the crowd
In a world that seems to value homogeneous perfection, how do you develop an individual voice on your instrument?
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Premium ❘ Feature‘I shall be obliged to drop the fiddle’ - From the archive: October 1892
Under the heading ‘Hot Hands’, readers attempt to help a novice player with that affliction in The Strad’s ‘Correspondence’ section
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Premium ❘ FocusOpinion: Does an orchestra’s home hall define its sound?
Edwin Barker, principal double bass of the Boston Symphony, argues that an orchestra’s ‘home’ concert hall shapes the unique character of the ensemble
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Premium ❘ FeatureSession Report: Recording Florence Price’s Second Violin Concerto
Violinist Rachel Barton Pine and conductor Jonathon Heyward speak to Harry White about recording Florence Price’s lost-and-found late work, the Second Violin Concerto
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Premium ❘ Focus‘I was reminded of why short festivals appeal so much’ - Postcard from the Rosendal Chamber Music Festival
Harriet Smith takes a boat into Norway’s west-coast waterways to experience a Beethoven-inspired festival
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Premium ❘ FeatureScottish fiddle dance music: Invitation to the dance
The influence of fiddle dance music that emerged in 18th century Scotland still echoes through the reels and strathspeys of today.
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Premium ❘ Focus‘As a violist, you’re in the thick of it’ - Hank Dutt’s life lessons
The American Kronos Quartet violist on his enduring love for chamber music
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Premium ❘ Focus‘It has to be connected to your soul’ - Nobuko Imai on Mozart Symphony no.40
The Japanese violist recalls how playing Mozart’s Symphony no.40 under Pablo Casals proved a life-changing experience
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Premium ❘ Feature‘He is a similar weirdo, in the good sense!’ - Rick Stotijn: Stepping into the spotlight
Double bassist Rick Stotijn is a musical pioneer, playing in every style and context from solo, chamber and orchestral music to rock and metal.
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Premium ❘ FeatureFrom the Archive: the difficulties of playing in tune
The Strad writer E. Polonaski bemoans the number of string players with suspect intonation in our March 1893 issue
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Premium ❘ Feature’Your performance should radiate the colour of real fresh grass. Go to nature and look’ - Yuri Kramarov: A legacy regained
Russian violist and pedagogue Yuri Kramarov was one of the most important Soviet-era musicians. Misha Galaganov explores his life, career and teaching methods
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Premium ❘ Focus‘A perfect balance between competition and festival’ - Postcard from Bordeaux Quartet Competition
Charlotte Gardner reports from a newly reinvigorated and audience-friendly Vibre! Bordeaux festival and International String Quartet Competition
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Premium ❘ FeatureSession Report: The Villiers Quartet on recording works by Smyth and Delius
Harry White speaks to Carmen Flores and Katie Stillman of the Villiers Quartet about recording rare repertoire by a pair of British maverick geniuses – Ethel Smyth and Frederick Delius
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Premium ❘ Focus‘I believe in contributing to a team of players, rather than just blending in’ - Carmine Lauri’s life lessons
The co-leader of the London Symphony Orchestra on growing up in a musical family in Malta and the importance of keeping one’s individuality
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Premium ❘ FocusOpinion: How learning a language can inform musical practice
Naomi Yandell’s efforts to learn a language using Duolingo have inspired her to rethink the way she teaches her own students, particularly with regard to repetitive practice
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Premium ❘ Feature‘Maybe the things we worry about are not the ones that matter to the music’ - Pekka Kuusisto: The Master Storyteller
Finnish violinist Pekka Kuusisto is characterised by his unique powers of communication as well as his sense of fun.
