All Philip Glass articles
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VideoOrchestra of the Swan performs Philip Glass
An arrangement of the final movement from String Quartet no.3 ‘Mishima’
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ReviewConcert review: James Ehnes (violin) National Arts Centre Orchestra/Alexander Shelley
Bruce Hodges attends the performance at New York’s Carnegie Hall on 5 April 2022
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ReviewAttacca Quartet: Of All Joys
There’s joy to be found in this collection of sombre and thoughtful works
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ReviewConcert review: Kronos Quartet, Special Music School Quartet, Kodak Quartet
Leah Hollingsworth hears a collection of new works at the Merkin Concert Hall on 21 October 2021
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ReviewPekka Kuusisto: First Light
Pioneering violinist spotlights two New York composers in a moving album
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ReviewDavid Nebel: Glass, Stravinsky
A refreshing and highly recommended pairing of 20th-century concertos
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ReviewPiotr Plawner: Glass
Almost squeaky-clean and crystal-clear playing in a polished view of Glass
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Premium ❘ FeatureThe singing, humming, whistling, hollering, growling, storytelling bassist
During the past half-century many works have been written for vocalising double bassists. Lisa Mezzacappa delves into this highly creative phenomenon