Masterclass – Page 8

  • Danjulo IshizakaPhoto: Marco Borggreve
    Article

    The Strad Masterclass: Danjulo Ishizaka on the Grieg Cello Sonata

    2016-04-25T00:00:00Z

    In the video above cellist Mischa Maisky and pianist Martha Argerich perform the first movement - Allegro agitato - of Grieg's Cello Sonata, op.36. Cellist Danjulo Ishizaka continues The Strad’s new marked-up sheet music series in association with Henle Verlag with the work's first movement – giving bowings, fingerings and ...

  • rysanovschubert
    Article

    The Strad Masterclass: violist Maxim Rysanov on Schubert's Arpeggione Sonata

    2016-03-24T00:00:00Z

    Maxim Rysanov performs Schubert's Arpeggione Sonata, arranged for viola by Dobrinka Tabakova, with DalaSinfoniettan, conducted by Tobias Ringborg at Vinterfest 2011. The violist continues The Strad’s new marked-up sheet music series in association with Henle Verlag with the Arpeggione's first movement – giving bowings, fingerings and ideas for interpretation in ...

  • ehnesbeethovenromance
    Article

    The Strad Masterclass: violinist James Ehnes on Beethoven's Spring Sonata

    2016-02-29T00:00:00Z

    Sometimes people seem to think it's more important that their interpretations be defensible than beautiful, and that's absurd' James Ehnes speaks about interpreting Beethoven to The Strad, and performs the composer's Romance no.1 with the Royal Stockholm Philharmonic Orchestra conducted by Marin Alsop (above). The violinist continues The Strad’s new ...

  • wolfgangemmanuelschmidt
    Article

    The Strad Masterclass: cellist Wolfgang Emanuel Schmidt on Schumann's Adagio and Allegro

    2016-01-22T00:00:00Z

    Wolfgang Emanuel Schmidt, professor of cello at the University of Music Franz Liszt Weimar, performs Schumann's Adagio and Allegro op. 70 with pianist Keiko Tamura. The cellist continues The Strad’s new marked-up sheet music series in association with Henle Verlag with Schumann's Adagio and Allegro – giving bowings, fingerings and ...

  • ray_chen_masterclass
    Article

    The Strad Masterclass: Ray Chen on Mozart's Third Violin Concerto

    2015-12-21T00:00:00Z

    What makes Mozart so difficult to play? It's finding that perfect balance between simplicity on one hand, and complexity on the other. Like being young and energetic, but having a mature and experienced sound' Ray Chen talks about finding a balance in Mozart - and compares his music to a ...

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    Focus

    Left-hand pivots and the crab fingering system with bassist François Rabbath

    2015-09-21T00:00:00Z

    The French soloist and teacher advises on how to improve intonation and dexterity on the double bass. From the October 2015 issue