Masterclass – Page 9
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ArticleThe Strad Masterclass: violinist James Ehnes on Beethoven's Spring Sonata
Sometimes people seem to think it's more important that their interpretations be defensible than beautiful, and that's absurd' James Ehnes speaks about interpreting Beethoven to The Strad, and performs the composer's Romance no.1 with the Royal Stockholm Philharmonic Orchestra conducted by Marin Alsop (above). The violinist continues The Strad’s new ...
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ArticleThe Strad Masterclass: cellist Wolfgang Emanuel Schmidt on Schumann's Adagio and Allegro
Wolfgang Emanuel Schmidt, professor of cello at the University of Music Franz Liszt Weimar, performs Schumann's Adagio and Allegro op. 70 with pianist Keiko Tamura. The cellist continues The Strad’s new marked-up sheet music series in association with Henle Verlag with Schumann's Adagio and Allegro – giving bowings, fingerings and ...
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ArticleThe Strad Masterclass: Ray Chen on Mozart's Third Violin Concerto
What makes Mozart so difficult to play? It's finding that perfect balance between simplicity on one hand, and complexity on the other. Like being young and energetic, but having a mature and experienced sound' Ray Chen talks about finding a balance in Mozart - and compares his music to a ...
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FocusLeft-hand pivots and the crab fingering system with bassist François Rabbath
The French soloist and teacher advises on how to improve intonation and dexterity on the double bass. From the October 2015 issue
