Masterclass: Ravel’s second violin sonata

graffin

Philippe Graffin explores how to create an orchestra of abstract colours and characters in the first movement of the French composer’s last chamber work

Explore more Masterclasses  like this in The Strad Playing Hub

Read more premium content for subscribers here

Although Ravel wrote this Sonata for his great friend and unrequited love, the French violinist Hélène Jourdan-Morhange, it was Enescu who gave its premiere. As a child, Yehudi Menuhin studied with Enescu in Paris, and he once told me that Ravel turned up unannounced to one of his lessons, to ask Enescu to play this new Violin Sonata to his publisher. Enescu sightread through it in front of Menuhin, then closed the music and played the whole piece again by heart!

I find it fascinating how Ravel uses the relationship between the violin and the piano in this work. It’s very modern for its time, far from the idea of the Franck Sonata, where the piano accompanies as the violin sails through. Violinist Renaud Capuçon recently commissioned a very good orchestration of it by Yan Maresz, which makes interesting listening. It conjures the sound world that Ravel might have had in his head when he wrote it, and helps us to share in that world in our imagination.

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.