All Magazine reviews articles – Page 12
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ReviewRiccardo Pes: ‘Degenerate Music’ for Cello
A lack of individuality makes for an underwhelming listen
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ReviewBook review: The Fractured Self: Selected German Letters of the Australian-born Violinist Alma Moodie, 1918–1943
Tully Potter reviews a comprehensive collection of letters which cast light on the life and career of one of the early 20th century’s best known female violinists
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ReviewBook review: Artistic Violins and Bows: The Music Region of Markneukirchen and Schönbach
Andrew Dipper reviews Bruce Babbitt and Brandon Godman’s latest book on the ‘Musikwinkel’ of eastern Germany which became one of the world’s great heartlands of instrument making in the 19th century
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ReviewKuss Quartet: Schubert, Andre, Ter Schiphorst
A revealing juxtaposition of old and new from this adventurous quartet
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ReviewGiovanni Sollima: Al-Bunduqiyya: The Lost Concerto
Plenty of daring on display from an enterprising cellist–composer
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ReviewJerusalem Quartet: Shostakovich
Grittily human readings of music close to this ensemble’s heart
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ReviewPatricia Kopatchinskaja, Thomas Kaufmann, Camerata Bern: Exile
The concept may be questionable, but the performances carry the day
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ReviewThe Strad Recommends: Alina Ibragimova: Schumann
A long-standing partnership finds revelatory riches in Schumann
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ReviewThe Strad Recommends: Silesian Quartet: Górecki
Mesmerising accounts of works originally written for the Kronos
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ReviewThe Strad Recommends: Sacconi Quartet: Dove
Compelling music from one of today’s most distinct composerly voices
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ReviewConcert review: Timothy Ridout (viola) Deutsches Symphonie-Orchester/Robin Ticciati
Carlos Maria Solare hears the premiere of Mark Simpson’s Viola Concerto and Beethoven’s ‘Eroica’ at the Berlin Philharmonie on 15 December 2024
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ReviewConcert review: Vertavo Quartet
Bruce Hodges visits the Perelman Theater, Philadelphia, PA, US, on 12 December 2024 for the performance of Elizabeth Maconchy, Ravel and Britten
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ReviewConcert review: Sheku Kanneh-Mason (cello) Isata Kanneh-Mason (piano)
Bruce Hodges reviews what he heard at the Perelman Theater in Philadelphia on 13 December 2024, comprising Mendelssohn, Fauré, Natalie Klouda and Rachmaninoff
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ReviewConcert review: Ariel Quartet, Alisa Weilerstein (cello)
Bruce Hodges hears a cornucopia of composers at the Perelman Theater, Philadelphia, on 15 December 2024, followed by Schubert’s String Quintet in C major
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ReviewConcert review: Gil Shaham (violin) Czech Philharmonic/Semyon Bychkov
Leah Hollingsworth hears the performance of Dvořák and Mahler at New York’s Carnegie Hall on 4 December 2024
