Session Report: cellist Alban Gerhard on recording the Dvořák and Elgar concertos

AUGUST Grid posts (2)

German cellist Alban Gerhardt tells Jessica Duchen about challenging entrenched performance habits and returning to the composers’ markings in his recordings of the Dvořák and Elgar concertos

Have you ever met a cellist who does not want to record the Elgar and Dvořák concertos? Rather than asking why Alban Gerhardt is tackling these celebrated pieces on disc now, we might wonder what took him so long. ‘I never had the opportunity,’ the German cellist says, with a shrug suggesting that the occasion is better late than never…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.