Changing of the guard: French transitional period – part one

Untitled design (2)

The ‘transitional period’ in French lutherie usually refers to the period of change from the Baroque bow to the Tourte model. In the first of two articles, Florent Boyer illustrates how violin making also underwent a seismic shift through the 18th century and into the 19th

The history of violin making in France begins somewhere around the second quarter of the 16th century. The instruments of Gasparo Duiffopruggar (Tieffenbrucker), a German-born maker who moved to Lyon, were said to be very similar to Italian designs (see ‘Secret history’, The Strad, October 2025). Violin makers were able to take advantage of the growing cultural ties between France and northern Italy to examine and copy violins from Cremona, or even from Germany in the case of makers from Lorraine…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.