All Blogs articles – Page 6
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BlogsSelf-expression is the key to tension-free string playing
Too often string players are taught to follow their teachers’ instructions, rather than expressing their personal feelings about the music – and this leads to tension and self-doubt, writes Trinity Laban Conservatoire violin professor John Crawford
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Blogs
Never practise for more than five hours per day, says violinist Itzhak Perlman
Marking the violinist's 75th birthday, we republish this feature from our archive in which Perlman warns against the dangers of over-practising
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Blogs
6 tips for performing in an empty concert hall
South African cellist Abel Selaocoe provides advice on livestreaming or recording performances for online audiences during the time of Covid-19
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Blogs
5 benefits to teaching online by violinist Rodney Friend
Ahead of a new online violin academy and masterclass series that he is running later this month, the Royal Academy of Music professor and former New York Philharmonic concertmaster explains the advantages of the online teaching format
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Blogs
Nazrin Rashidova on Émile Sauret the teacher
To tie in with the release of her 4th and final volume of Sauret’s 24 Études-Caprices, the violinist wraps up her blog series on the French violinist and composer
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Blogs
Lawrence Power: life lessons from lockdown
The violist tells us what the lockdown has taught him about playing and teaching, and ponders the impact of the pandemic on the future of live music
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Blogs
The Legacy of Alice Schoenfeld (1921-2019)
The Schoenfeld International String Competition in Harbin, China pays tribute to its founder
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Blogs
Stringtelligence by Thomastik-Infeld - Double bass strings
In the latest instalment of his monthly blog, Franz Klanner, director of engineering and technology at Thomastik-Infeld, discusses double bass strings
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Blogs
Tomás Cotik: How I interpret Bach
Ahead of his 2020 album release of Bach’s Sonatas and Partitas, the violinist presents a new blog series, in which he discusses the contradictions between the opposing trends and traditions in Bach interpretation, and his personal solutions to them
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Blogs
How a flight-damaged Edward Lewis viola da gamba rose from the ashes
After being seriously damaged in an Alitalia flight, a historical viola da gamba made by Edward Lewis was amazingly brought back to life by Shlomo Moyal. Here is the story of the instrument, to tie in with this month’s Making Matters
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Blogs
Recording Bach’s Violin Concertos with John Eliot Gardiner
Kati Debretzeni, leader of the English Baroque Soloists, explains the thought processes behind her recent Bach recording
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Blogs
11 ways to be a better chamber musician
Violinist, composer and chamber music festival founder Natalie Klouda writes the advice she would like to have been given when she was starting out
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Blogs
Violinist Jack Liebeck and composer Stuart Hancock interview each other
Having just worked together on recording a new violin concerto, the composer and soloist sit down to discuss the challenges and rewards of the process
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Blogs
Stringtelligence by Thomastik-Infeld: What are violin, viola, cello and bass strings made out of?
Different string materials are known for producing different sound properties. Franz Klanner, director of engineering and technology at Thomastik-Infeld explores some of them
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Blogs
Alban Gerhardt on playing the Britten and Shostakovich sonatas side by side
Their composers may have been friends but these two 20th-century masterpieces, written 30 very eventful years apart, could hardly be more different
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Blogs
7 tips for securing an agent
Inside knowledge of how the process works from Iarlaith Carter, associate director of HarrisonParrott
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Blogs
An introduction to Neo-Classical
As Australia prepares to host a festival dedicated to ‘neo-classical’ music, cellist Peter Gregson introduces some of the main exponents of the genre
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Blogs
7 steps to self-releasing your album
Advice from composer Matthew Whiteside on a 21st-century approach to recordings, as he prepares to release his new album of string quartet music
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Blogs
Raphael Wallfisch: Bloch vs Clarke, in concert
100 years after the composers came head to head in a competition, Wigmore Hall audiences are getting a chance to judge for themselves this week
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Blogs
Stringtelligence by Thomastik-Infeld: combining different string types, Part 2
If you feel like you need to mix and match strings to get the best out of your instrument, start by reading this guide from Franz Klanner, director of engineering and technology at Thomastik-Infeld
